Book by Vanessa Joan Muller Veit Loers
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Dutch artists Jeroen de Rijke and Willem de Rooij received international recognition for their seemingly luxurious and self-reflexive 35mm films. This first comprehensive monograph discusses how Dutch painting, Minimal Art, and film conventions become the backdrop for a cinema in its decontextualized form. In her seminal essay, author Vanessa Joan Müller discusses how in de Rijke/de Rooij s work the classic time-space continuum in which space is crossed and time flows is nearly transformed to movement in standstill. To use Gilles Deleuze s substantial cinematographic classification, the artists films can be said to deliver not images of movement , but instead moving images that separate the visible from things, and movement from history, favoring time as a category of aesthetic experience.
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Anbieter: ANARTIST, New York, NY, USA
Softcover, 206 pages, in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. Bestandsnummer des Verkäufers JeJeLu15
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Anbieter: medimops, Berlin, Deutschland
Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. Bestandsnummer des Verkäufers M00967180201-G
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Anbieter: BuchKunst-Usedom / Kunsthalle, Seebad Ahlbeck, Deutschland
Broschur-Tb. / Softcover. 1. Aufl. (No. 002). Exhibition: Frankfurter Kunstverein, 1999. - // Dutch artists Jeroen de Rijke and Willem de Rooij received international recognition for their seemingly luxurious and self-reflexive 35mm films. This first comprehensive monograph discusses how Dutch painting, Minimal Art, and film conventions become the backdrop for a cinema in its decontextualized form. In her seminal essay, author Vanessa Joan Müller discusses how in de Rijke/de Rooij s work the classic time-space continuum in which space is crossed and time flows is nearly transformed to movement in standstill. To use Gilles Deleuze s substantial cinematographic classification, the artists films can be said to deliver not images of movement , but instead moving images that separate the visible from things, and movement from history, favoring time as a category of aesthetic experience. . / Sprache : Deutsch, Englisch. (Sehr gut erhalten - NEU, ungelesen / in very good condition) Sprache: Deutsch Gewicht in Gramm: 500. Bestandsnummer des Verkäufers 407950
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Anbieter: Art Data, London, Vereinigtes Königreich
Paperback. Zustand: Brand New. Paperback.Width: 11 cm. Height: 17cm. 206 pages. English text. Bestandsnummer des Verkäufers 11315
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