Anbieter: Conover Books, Martinsville, VA, USA
Hardcover. Zustand: Good. No Jacket. 1st Edition. Minor edge and corner wear; lightly scuffed and scratched; corners are gently bumped and rubbed; some light shelf wear; ex-library with the usual library markings; overall a nice used copy! Full-color pictorial boards with silver and red lettering. Decorative endpapers. 128 historical and artistic pages nicely enhanced by black and white and full-color photographs and illustrations! "In the 1950s Tim Scott studied architecture, and simultaneously, attended the St. Martin's School of Art studying sculpture part-time. His early work was heavily influenced by his teacher, Anthony Caro. Scott moved to Paris to work aAtelier Le Corbusier-Wogenscky, an architectural firm and while there, he discovered photographs of the work of American sculptor David Smith. Smith was to have a strong influence on a generation of British sculptors in the 1960s. Scott returned to London in 1961. Encouraged by Anthony Caro, he, along with other students at the St. Martin's school, rejected traditional methods and began to work abstractly. For an exhibition at the Whitechapel Art Gallery in 1965, they were dubbed the 'New Generation'. While Caro and a few other students began using industrial steel, Scott chose instead to work with fibre-glass, a relatively new material for sculpture. By the mid-sixties, Scott was experimenting with different kinds of plastics and bold volumetric shapes of bright colour. The sculptural works in the book and in the current exhibition at Pacart are from this period. From the foreword: The roots of abstract painting and sculpture reach back to the beginning of the 20th Century. In those roots was the start of a new language. At times painting seemed to spill into sculpture. In the decade between 1910 and 1920 Jacques Lipchitz, Henri Laurens, Elie Nadelman, Pablo Picasso and the Russian Constructivists all made coloured sculpture. By the early 1960s, the optimism that pervaded the Art World once more supercharged the dialogue between painting and sculpture. It was thought that sculpture could take the lead from painting and that colour would become three dimensional. Tim Scott introduced colour and new materials and was very much part of what animated this idea. Kenneth Noland's circle paintings were transformed by David Smith into painted steel sculpture, while Anthony Caro took weight away from sculpture and floated colour space.". Bestandsnummer des Verkäufers 053122
Anzahl: 1 verfügbar
Anbieter: The Second Reader Bookshop, Buffalo, NY, USA
Hardcover. Zustand: Very Good. Very Good with light wear to covers and no marks to text. One corner shows some bumping ; 9.45 X 9.37 X 0.79 inches; 128 pages. Bestandsnummer des Verkäufers 77423
Anzahl: 1 verfügbar
Anbieter: Bookmans, Tucson, AZ, USA
Hardcover. Zustand: Good. no dust jacket Satisfaction 100% guaranteed. Bestandsnummer des Verkäufers mon0002396230
Anzahl: 1 verfügbar
Anbieter: West With The Night, Tucson, AZ, USA
Hard cover. First edition. 128 p. Published on the occasion of the exhibitions: the 60s was colour was sculpture and house of clay 2008 Fine. excellent condition, first printing. Bestandsnummer des Verkäufers Alibris.0023071
Anzahl: 1 verfügbar
Anbieter: ANARTIST, New York, NY, USA
Hardcover without dustjacket as issued, 128 pages; very good condition, tiny bump to bottom of spine; otherwise clean and crisp; signed by Tim Scott on first page; no other internal marks. Foreign shipping may be extra. Bestandsnummer des Verkäufers TiScDM20
Anzahl: 1 verfügbar
Anbieter: Book Dispensary, Concord, ON, Kanada
Hardcover. Zustand: New. 1st Edition. BRAND NEW hardcover, sealed in publisher's plastic. Book. Bestandsnummer des Verkäufers 126305
Anzahl: 1 verfügbar
Anbieter: Wonder Book, Frederick, MD, USA
Zustand: As New. First edition copy. . Bestandsnummer des Verkäufers NC01D-00709
Anzahl: 1 verfügbar
Anbieter: Paraphernalia Books 'N' Stuff, Belleville, ON, Kanada
Hardcover. Zustand: Very Good. No Jacket. First. Large square shaped book with illist.matt boards; Near fine copy, clean, sound & unmarked, slight edgewear on corners and spine ends; Fully illust.throughout by full page colour photos; Highlights two exhibitions of this Canadian sculpturers work done in 2008; The 1960's & The House of Clay; Foreword by David Mirvish; 128 pages. May require extra postage due to weigh & size. Bestandsnummer des Verkäufers PARA5509
Anzahl: 1 verfügbar
Anbieter: bmyguest books, Toronto, ON, Kanada
Hardcover. Zustand: Very Good. 1st Edition. Clean With No Marks Or Highlights Inside. 128 Pages.books are NOT signed. We will state signed at the description section. we confirm they are signed via email or stated in the description box. - Specializing in academic, collectiblle and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us. Bestandsnummer des Verkäufers 45941
Anzahl: 1 verfügbar
Anbieter: Mullen Books, ABAA, Marietta, PA, USA
Hardcover. Zustand: VG-. Color-illustrated boards with irridescent lettering. 128 pp. Mainly color illustrations. Published in conjunction with the exhibitions, "The 60s, when colour was sculpture," held at David Mirvish Warehouse at Pacart, Toronto, Nov. 2, 2008-Apr. 19, 2009 and, "House of clay 2008", held at Corkin Gallery, Toronto, Nov. 2-Dec. 20, 2008. Bestandsnummer des Verkäufers 167995
Anzahl: 1 verfügbar