Drawings are conventionally thought of as handmade objects, on a flat surface, that can be hung on a wall. The works that Edward Kienholz termed drawings are, like his freestanding sculptures, assemblages of things found ready-made. They appeared as early as 1961, the year in which Kienholz produced the first of the room-sized sculptural tableaux that became synonymous with his name. The evolution of the drawings runs precisely parallel with that of the tableaux, stretching across the whole of his career, first as a sculptor working alone, and from 1972 in collaboration with his wife, Nancy Reddin Kienholz. Until now the drawings have been shown and reproduced only in relation to the large sculptures. This handsome book examines this central and major body of work and explores the concept of "drawings" as a studio process for the Kienholzes. Kienholz Tableau Drawings includes original text and an historical chronology by Nancy Reddin Kienholz, and an essay by Marco Livingstone, a London-based art historian, curator, and writer.
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Drawings are conventionally thought of as handmade objects, on a flat surface, that can be hung on a wall. The works that Edward Kienholz termed drawings are, like his freestanding sculptures, assemblages of things found ready-made. They appeared as early as 1961, the year in which Kienholz produced the first of the room-sized sculptural tableaux that became synonymous with his name. The evolution of the drawings runs precisely parallel with that of the tableaux, stretching across the whole of his career, first as a sculptor working alone, and from 1972 in collaboration with his wife, Nancy Reddin Kienholz. Until now the drawings have been shown and reproduced only in relation to the large sculptures. This handsome book examines this central and major body of work and explores the concept of "drawings" as a studio process for the Kienholzes. Kienholz Tableau Drawings includes original text and an historical chronology by Nancy Reddin Kienholz, and an essay by Marco Livingstone, a London-based art historian, curator, and writer.
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Versandziele, Kosten & DauerAnbieter: Better World Books, Mishawaka, IN, USA
Zustand: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Bestandsnummer des Verkäufers 17505423-20
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Anbieter: Phatpocket Limited, Waltham Abbey, HERTS, Vereinigtes Königreich
Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Bestandsnummer des Verkäufers Z1-C-083-02830
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Anbieter: THE CROSS Art + Books, Sydney, NSW, Australien
27.0 x 23.5cms 146pp Colour Illusts softcover very good. This book examines the Kienholzs use of drawing as a studio process for their Concept Tableau. They executed these drawings out of the same ready-made raw materials that they used for their room-sized sculptural tableaux. Bestandsnummer des Verkäufers 20491482
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Anbieter: ANARTIST, New York, NY, USA
Softcover, 146 pages, very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra. Bestandsnummer des Verkäufers KiKiLA40
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Anbieter: Back of Beyond Books WH, Moab, UT, USA
Soft cover. Zustand: Very Good. No Jacket. 1st Edition. Printed pictorial wrapper with title on cover and spine. No dust jacket. Light dirt markings on rear cover and foot of spine. Text block and spine in fine condition. A retrospective of the tableau "drawings" of Edward and Nancy Reddin Kienholz. Numerous full-color and black and white plates and reproductions. Bestandsnummer des Verkäufers ros15108
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Soft cover. Zustand: Good. Cover has some damp staining. Clean text. U12. Bestandsnummer des Verkäufers 015663
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Paperback. Zustand: Fine. 1st. 145 pages, illustrations (some colour); 27 cm. Catalogue of an exhibition held at L.A. Louver, March 1 to 31, 2001. Firm binding, clean inside copy. Richly illustrated with colour plates. *** "Drawings are conventionally thought of as handmade objects, on a flat surface, that can be hung on a wall. The works that Edward Kienholz termed drawings are, like his freestanding sculptures, assemblages of things found ready-made. They appeared as early as 1961, the year in which Kienholz produced the first of the room-sized sculptural tableaux that became synonymous with his name. The evolution of the drawings runs precisely parallel with that of the tableaux, stretching across the whole of his career, first as a sculptor working alone, and from 1972 in collaboration with his wife, Nancy Reddin Kienholz.Includes original text and an historical chronology by Nancy Reddin Kienholz, and an essay by Marco Livingstone, a London-based art historian, curator, and writer." - Publisher. Size: 4to. Collectible. Bestandsnummer des Verkäufers 119613
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