A few minutes a day can change your life.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: BooksRun, Philadelphia, PA, USA
Paperback. Zustand: Fair. 2nd. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. Bestandsnummer des Verkäufers 0971229074-7-1-13
Anzahl: 1 verfügbar
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Paperback. Zustand: Good. This volume is a critical exploration of cross-cultural Bible film reception presented through an analysis of the responses of UK and South African audiences to The Lumo Project: The Gospel of Mark (2014) and Son of Man (2006). Victoria Olaide Omotoso places emphasis on audience reception and highlighting the non-Western experience of biblical films by examining the responses of audiences from different cultural contexts to identical media, with a cross-cultural audience discourse facilitated by cultural dynamics: fidelity to the (biblical) text, ethnicity, music, and gender. By examining historic and cinematic debates, audience responses and filmmaker responses, Omotoso explores the ethnicity of Jesus, theological contexts and implications, and the presentation of Jesus in an androcentric world. Omotoso adopts the concepts of universality and particularity as frameworks to determine the ways through which the filmmakers attempt to identify their cinematic visions and locations. She defines universality as a phenomenon through which the filmmaker seeks to place the narrative within a trans-cultural frame for a global audience; in contrast, her definition of particularity is envisioning a unitary and specific cultural context for the narrative. By exploring fidelity to the text, the ethnic identity of Jesus, musical contexts, masculinity and female agency, the universal and particular are shown as complex, contested, and shifting concepts within the process of cross-cultural audience reception, which frequently destabilizes the intentions of the filmmakers. Bestandsnummer des Verkäufers CIN0971229074G
Anzahl: 1 verfügbar
Anbieter: beneton, Millsboro, DE, USA
paperback. Zustand: Good. 2nd. pl. Bestandsnummer des Verkäufers 251121009
Anzahl: 1 verfügbar
Anbieter: HPB-Movies, Dallas, TX, USA
Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Bestandsnummer des Verkäufers S_485406040
Anzahl: 1 verfügbar
Anbieter: World of Books Inc, Montgomery, IL, USA
Paperback. Zustand: Good. This volume is a critical exploration of cross-cultural Bible film reception presented through an analysis of the responses of UK and South African audiences to The Lumo Project: The Gospel of Mark (2014) and Son of Man (2006). Victoria Olaide Omotoso places emphasis on audience reception and highlighting the non-Western experience of biblical films by examining the responses of audiences from different cultural contexts to identical media, with a cross-cultural audience discourse facilitated by cultural dynamics: fidelity to the (biblical) text, ethnicity, music, and gender. By examining historic and cinematic debates, audience responses and filmmaker responses, Omotoso explores the ethnicity of Jesus, theological contexts and implications, and the presentation of Jesus in an androcentric world. Omotoso adopts the concepts of universality and particularity as frameworks to determine the ways through which the filmmakers attempt to identify their cinematic visions and locations. She defines universality as a phenomenon through which the filmmaker seeks to place the narrative within a trans-cultural frame for a global audience; in contrast, her definition of particularity is envisioning a unitary and specific cultural context for the narrative. By exploring fidelity to the text, the ethnic identity of Jesus, musical contexts, masculinity and female agency, the universal and particular are shown as complex, contested, and shifting concepts within the process of cross-cultural audience reception, which frequently destabilizes the intentions of the filmmakers. Bestandsnummer des Verkäufers CIN0971229074G
Anzahl: 1 verfügbar
Anbieter: Hawking Books, Edgewood, TX, USA
Zustand: Good. Meets or exceeds the good condition guidelines. Nice copy. Has a small amount of writing/highlighting. Five star seller - Buy with confidence! Bestandsnummer des Verkäufers X0971229074X3
Anzahl: 1 verfügbar
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G0971229074I4N00
Anzahl: 1 verfügbar
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G0971229074I4N00
Anzahl: 1 verfügbar
Anbieter: GoldBooks, Denver, CO, USA
Paperback. Zustand: new. New Copy. Customer Service Guaranteed. Bestandsnummer des Verkäufers 98Q28_88_0971229074
Anzahl: 1 verfügbar