You’ve heard the advice “show, don’t tell” until you can’t stand to hear it anymore. Yet fiction writers of all levels still seem to struggle with it. There are three reasons for this. The first is that this isn’t an absolute rule. Telling isn’t always wrong. The second is that we lack a clear way of understanding the difference between showing and telling. The third is that we’re told "show, don’t tell," but we’re often left without practical ways to know how and when to do that, and how and when not to. So that’s what this book is about. Chapter One defines showing and telling and explains why showing is normally better. Chapter Two gives you eight practical ways to find telling that needs to be changed to showing and guides you in understanding how to make those changes. Chapter Three explains how telling can function as a useful first draft tool. Chapter Four goes in-depth on the seven situations when telling might be the better choice than showing. Chapter Five provides you with practical editing tips to help you take what you've learned to the pages of your current novel or short story. Mastering Showing and Telling in Your Fiction also includes three appendices covering how to use The Emotion Thesaurus, dissecting an example so you can see the concepts of showing vs. telling in action, and explaining the closely related topic of As-You-Know-Bob Syndrome. Each book in the Busy Writer’s Guides series is intended to give you enough theory so that you can understand why things work and why they don’t, but also enough examples to see how that theory looks in practice. In addition, they provide tips and exercises to help you take it to the pages of your own story with an editor's-eye view. Most importantly, they cut the fluff so you have more time to write and to live your life.
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Marcy Kennedy is a speculative fiction and suspense writer who believes fantasy is more real than you think. It helps us see life in this world in a new way and gives us a safe place to explore problems that might otherwise be too difficult to face. Alongside her own writing, Marcy works as a freelance editor and teaches classes on craft and social media through WANA International. She’s also a proud Canadian, the proud wife of a former U.S. Marine, owns five cats and a dog who weighs as much as she does, and plays board games and the flute (not at the same time). Sadly, she’s also addicted to coffee and jelly beans. You can find her blogging about writing and about the place where real life meets science fiction, fantasy, and myth at www.marcykennedy.com. To sign up for her new-release mailing list, please visit her website.
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Paperback. Zustand: Very Good. You've heard the advice show, don't tell until you can't stand to hear it anymoreYet fiction writers of all levels still seem to struggle with itThere are three reasons for thisThe first is that this isn't an absolute ruleTelling isn't always wrongThe second is that we lack a clear way of understanding the difference between showing and tellingThe third is that we're told show, don't tell, but we're often left without practical ways to know how and when to do that, and how and when not toSo that's what this book is aboutChapter One defines showing and telling and explains why showing is normally betterChapter Two gives you eight practical ways to find telling that needs to be changed to showing and guides you in understanding how to make those changesChapter Three explains how telling can function as a useful first draft toolChapter Four goes in-depth on the seven situations when telling might be the better choice than showingChapter FiveMastering Showing and Telling in Your Writing also contains three appendices that address how to use The Emotion Thesaurus, dissecting an example to see the concepts of showing and telling in action, and describing the closely related issue of As-You-Know-Bob Syndrome. Bestandsnummer des Verkäufers CIN0992037166VG
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