Inhaltsangabe
Am Freitag, den 13. Mai 2016, veröffentlichte der Australia Council for the Arts die Ergebnisse der "Four Year Organisations"-Zuschüsse dieser Agentur. Das Ergebnis war ein Blutbad: 65 Organisationen wurden entfinanziert, und mehr als hundert angewandte waren ebenfalls erfolglos. Der Kunstsektor nannte es "Black Friday". Die Entschärfung einer Reihe von Australiens bekanntesten kleineren Kunstunternehmen aus den Finanzierungskürzungen und Änderungen der Abbott-Regierung. Laut Mark Dreyfus der australischen Labor Party hat die Koalition vor dieser Defunding etwa 300 Millionen US-Dollar aus der Bundeskulturfinanzierung gekürzt. Vor der Wahl 2013 war die Kunstfinanzierung ein mehr oder weniger parteiübergreifender Politikbereich, der von beiden großen Parteien unterstützt wurde. Aber die Überparteilichkeit verschwand im ideologischen Umfeld der neuen Regierung. Die Koalition hat nicht nur die Finanzierung des Australia Council gekürzt. Es startete einen neuen Angriff auf die Finanzierung der Kunst in Armlänge – ein Prinzip, das vier Jahrzehnte überparteilicher Unterstützung genossen hat. Warum haben George Brandis und die Koalition das getan? Was macht diesen Angriff auf den kulturellen Bereich aus? Dieser Essay ist ein Versuch, diese Geschichte zu erzählen und zu fragen, was sie bedeutet. Die australische Kultur wird von politischen Akteuren angegriffen, die einer Ideologie der Privatisierung des Kulturraums verpflichtet sind. Aber wenn es beunruhigende Realitäten gibt, gibt es auch Möglichkeiten.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Über die Autorin bzw. den Autor
Ben Eltham is a writer, journalist, researcher and creative producer from Melbourne, Australia. He recently completed his PhD in cultural policy at the University of Western Sydney's Institute for Culture and Society. Throughout his 20s and 30s, Ben worked as a freelance arts journalist and critic, as well as a producer and festival director at a series of experimental and fringe arts festivals in Newcastle, Brisbane and Melbourne. He is currently a Fellow of the Centre for Policy Development and Research Fellow at Deakin University's Centre for Memory, Imagination and Invention.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Suchergebnisse für Platform papers 48: When the Goal Posts Move
Beispielbild für diese ISBN
Platform papers 48: When the Goal Posts Move (Paperback)
Verlag:
Currency House Inc, Strawberry Hills, 2016
ISBN 10: 0992489091
ISBN 13: 9780992489090
Neu
Paperback
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Verkäuferbewertung 5 von 5 Sternen
Paperback. Zustand: new. Paperback. On Friday 13 May 2016, the Australia Council for the Arts released the results of that agency's 'Four Year Organisations' grants. The result was a bloodbath: 65 organisations were defunded, and more than a hundred that applied were also unsuccessful. The arts sector dubbed it 'Black Friday'.The defunding of a slew of Australia's best-known smaller arts companies derived from the funding cuts and changes made by the Abbott Government. All told, according to the Australian Labor Party's Mark Dreyfus, the Coalition cut approximately $300 million from federal cultural funding prior to this defunding.Before the 2013 election, arts funding had been a more-or-less bipartisan policy area, supported by both major parties. But bipartisanship disappeared in the ideological environment of the new government. The Coalition didn't just slash the Australia Council's funding. It launched a new attack on arm's length arts funding itself -- a principle that has enjoyed four decades of bipartisan support. Why did George Brandis and the Coalition do this? What accounts for this assault on the cultural sphere?This essay is an attempt to tell that story, and to question what it means. Australian culture is being attacked by political actors, beholden to an ideology of privatising the cultural space. But if there are troubling realities, there are also opportunities. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780992489090
Foto des Verkäufers
Platform papers 48: When the Goal Posts Move
Anbieter: Book Grocer, Tullamarine, VIC, Australien
Verkäuferbewertung 5 von 5 Sternen
Paperback. Ben Eltham, Currency House Inc. On Friday 13 May 2016, the Australia Council for the Arts released the results of that agency's 'Four Year Organisations' grants. The result was a bloodbath: 65 organisations were defunded, and more than a hundred that applied were also unsuccessful. The arts sector dubbed it 'Black Friday'.The defunding of a slew of Australia's best-known smaller arts companies derived from the funding cuts and changes made by the Abbott Government. All told, according to the Australian Labor Party's Mark Dreyfus, the Coalition cut approximately $300 million from federal cultural funding prior to this defunding.Before the 2013 election, arts funding had been a more-or-less bipartisan policy area, supported by both major parties. But bipartisanship disappeared in the ideological environment of the new government. The Coalition didn't just slash the Australia Council's funding. It launched a new attack on arm's length arts funding itself -- a principle that has enjoyed four decades of bipartisan support. Why did George Brandis and the Coalition do this? What accounts for this assault on the cultural sphere?This essay is an attempt to tell that story, and to question what it means. Australian culture is being attacked by political actors, beholden to an ideology of privatising the cultural space. But if there are troubling realities, there are also opportunities. Paperback. Bestandsnummer des Verkäufers 9780992489090-SECONDHAND
Gebraucht kaufen
EUR 5,10
EUR 25,72 Versand
Versand von Australien nach USA
Versand von Australien nach USA
Anzahl: 1 verfügbar
Beispielbild für diese ISBN
Platform papers 48: When the Goal Posts Move (Paperback)
Verlag:
Currency House Inc, Strawberry Hills, 2016
ISBN 10: 0992489091
ISBN 13: 9780992489090
Neu
Paperback
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Verkäuferbewertung 5 von 5 Sternen
Paperback. Zustand: new. Paperback. On Friday 13 May 2016, the Australia Council for the Arts released the results of that agency's 'Four Year Organisations' grants. The result was a bloodbath: 65 organisations were defunded, and more than a hundred that applied were also unsuccessful. The arts sector dubbed it 'Black Friday'.The defunding of a slew of Australia's best-known smaller arts companies derived from the funding cuts and changes made by the Abbott Government. All told, according to the Australian Labor Party's Mark Dreyfus, the Coalition cut approximately $300 million from federal cultural funding prior to this defunding.Before the 2013 election, arts funding had been a more-or-less bipartisan policy area, supported by both major parties. But bipartisanship disappeared in the ideological environment of the new government. The Coalition didn't just slash the Australia Council's funding. It launched a new attack on arm's length arts funding itself -- a principle that has enjoyed four decades of bipartisan support. Why did George Brandis and the Coalition do this? What accounts for this assault on the cultural sphere?This essay is an attempt to tell that story, and to question what it means. Australian culture is being attacked by political actors, beholden to an ideology of privatising the cultural space. But if there are troubling realities, there are also opportunities. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9780992489090
Neu kaufen
EUR 16,75
EUR 31,73 Versand
Versand von Australien nach USA
Versand von Australien nach USA
Anzahl: 1 verfügbar