Poetry. Art. With her allusions to fine art and her own impeccable sense of color and texture, one might be tempted to say that Alexandra van de Kamp has a painter's eye. But that cliché would overlook the exquisite temporal dramas she attends to with such relish: no, hers is a cinematographer's vision, one deeply invested in what lies before and after, in and around and beneath her generous panoramas. KISS/HIERARCHY is a book of romances and transformations. It evokes the passions that lead us into darkened theaters and from there into the intrigues and enchantments of great film. On one hand van de Kamp resuscitates the golden age of Hollywood, and on the other she imbues everything she studies, even mammograms and head colds, doll furniture and devoured tulips, with the glossy, resonating power of an auteur's gaze."—George David Clark
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Poetry. Art. With her allusions to fine art and her own impeccable sense of color and texture, one might be tempted to say that Alexandra van de Kamp has a painter's eye. But that cliché would overlook the exquisite temporal dramas she attends to with such relish: no, hers is a cinematographer's vision, one deeply invested in what lies before and after, in and around and beneath her generous panoramas. KISS/HIERARCHY is a book of romances and transformations. It evokes the passions that lead us into darkened theaters and from there into the intrigues and enchantments of great film. On one hand van de Kamp resuscitates the golden age of Hollywood, and on the other she imbues everything she studies, even mammograms and head colds, doll furniture and devoured tulips, with the glossy, resonating power of an auteur's gaze."—George David Clark
Alexandra van de Kamp lives in San Antonio, TX, and is the Creative Writing Classes Program Director for Gemini Ink, a literary arts nonprofit. She also teaches intensive online poetry workshops through The Poetry Barn. She is the author of The Park of Upside-Down Chairs (CW Books 2010), and several chapbooks, including Dear Jean Seberg (2011), which won the 2010 Burnside Review Chapbook Contest, and A Liquid Bird inside the Night (Red Glass Books 2015). She has been published in numerous journals nationwide, such as Denver Quarterly, Connecticut Review, and The Cincinnati Review. For six years she lived in Madrid, Spain, where she co-founded and edited the bilingual journal, Terra Incognita.
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