‘One of the most eloquent thinkers about our life in language’ – The Sunday Times
A Chorus of Ears is a series of essays on voice, lyric and the persona of the poet from one of our greatest living English poets. Denise Riley contemplates how a poet's public persona can hold more significance than their actual poetry in the modern literary world. She reflects on how prize culture can transform criticism into a beauty contest, and limit our ability to meet the lyric on its own terms.
What might be discovered, Riley asks, if we liberate the poem from the person of the author? From where does its own voice spring? In allowing the poem to speak, what might we hear?
Including a foreword by leading poet and critic Don Paterson.
'One of the great poets of our time ' – New Statesman
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Denise Riley lives in London. Her prose books include War in the Nursery: Theories of the Child and Mother (1983), ‘Am I That Name?’ Feminism and the Category of ‘Women’ in History (1988), The Words of Selves: Identification, Solidarity, Irony (2000), The Force of Language (with Jean-Jacques Lecercle; 2004), Impersonal Passion: Language as Affect (2005), Time Lived, Without Its Flow (2012; revised edition 2019) and A Chorus of Ears: On the ‘Voice of the Poem’, 2026. Her poetry collections include Marxism for Infants (1977), Dry Air (1985), Mop Mop Georgette (1993), Penguin Modern Poets series 2, vol 10 (with Douglas Oliver and Iain Sinclair; 1996), Selected Poems (2000, revised 2019), Say Something Back (2016), Penguin Modern Poets series 3, vol 6 (with Maggie Nelson and Claudia Rankine; 2017) and Lurex (2022).
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Hardcover. Zustand: new. Hardcover. 'Wondrous . . . one of the great poets of our time' - New StatesmanA Chorus of Ears is a series of essays on voice, lyric and the persona of the poet from one of the greatest living English poets. Originally delivered as a lecture series at Trinity College, Cambridge, in A Chorus of Ears Denise Riley meditates upon the emphasis we place upon the persona of the poet, relegating their actual poetry to a second-order importance. Prize culture and the primacy of the poet - as opposed to the poem - transform criticism into a beauty contest, constraining our ability to meet the lyric on its own terms.What, Riley asks, might be discovered about the purpose of poetry, its originary point within our language and more yet besides, when we liberate it from the persona of the author? In allowing the poem to speak, what might we hear?'One of the most eloquent thinkers about our life in language' - The Sunday Times Essays on voice, lyric and the persona of the poet from one of the greatest living English poets. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781035095964
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Hardback. Zustand: New. 'One of the most eloquent thinkers about our life in language' - The Sunday Times'As lively to the ear as prose can be' - Adam PietteA Chorus of Ears is a series of essays on voice, lyric and the persona of the poet from one of our greatest living English poets. Denise Riley contemplates how a poet's public persona can hold more significance than their actual poetry in the modern literary world. She reflects on how prize culture can transform criticism into a beauty contest, and limit our ability to meet the lyric on its own terms.What might be discovered, Riley asks, if we liberate the poem from the person of the author? From where does its own voice spring? In allowing the poem to speak, what might we hear?Including a foreword by leading poet and critic Don Paterson.'One of the great poets of our time ' - New Statesman. Bestandsnummer des Verkäufers LU-9781035095964
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Hardback. Zustand: New. 'One of the most eloquent thinkers about our life in language' - The Sunday Times'As lively to the ear as prose can be' - Adam PietteA Chorus of Ears is a series of essays on voice, lyric and the persona of the poet from one of our greatest living English poets. Denise Riley contemplates how a poet's public persona can hold more significance than their actual poetry in the modern literary world. She reflects on how prize culture can transform criticism into a beauty contest, and limit our ability to meet the lyric on its own terms.What might be discovered, Riley asks, if we liberate the poem from the person of the author? From where does its own voice spring? In allowing the poem to speak, what might we hear?Including a foreword by leading poet and critic Don Paterson.'One of the great poets of our time ' - New Statesman. Bestandsnummer des Verkäufers LU-9781035095964
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