This book describes the conceptual and linguistic underpinnings of narrative interpretation.
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Barbara Dancygier is an Associate Professor in the Department of English at the University of British Columbia, Canada. Her publications include Conditionals and Prediction (Cambridge, 1999) and Mental Spaces in Grammar (with Eve Sweetser, Cambridge, 2005).
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Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. How do we read stories? How do they engage our minds and create meaning? Drawing on blending theory and construction grammar, this book focuses its linguistic lens on the concepts of the narrator and the story, and defines narrative viewpoint in a new way. Bestandsnummer des Verkäufers 36540582
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Paperback. Zustand: new. Paperback. How do we read stories? How do they engage our minds and create meaning? Are they a mental construct, a linguistic one or a cultural one? What is the difference between real stories and fictional ones? This book addresses such questions by describing the conceptual and linguistic underpinnings of narrative interpretation. Barbara Dancygier discusses literary texts as linguistic artifacts, describing the processes which drive the emergence of literary meaning. If a text means something to someone, she argues, there have to be linguistic phenomena that make it possible. Drawing on blending theory and construction grammar, the book focuses its linguistic lens on the concepts of the narrator and the story, and defines narrative viewpoint in a new way. The examples come from a wide spectrum of texts, primarily novels and drama, by authors such as William Shakespeare, Margaret Atwood, Philip Roth, Dave Eggers, Jan Potocki and Mikhail Bulgakov. How do we read stories? How do they engage our minds and create meaning? Drawing on blending theory and construction grammar, this book focuses its linguistic lens on the concepts of the narrator and the story, and defines narrative viewpoint in a new way. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9781107558618
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Paperback. Zustand: new. Paperback. How do we read stories? How do they engage our minds and create meaning? Are they a mental construct, a linguistic one or a cultural one? What is the difference between real stories and fictional ones? This book addresses such questions by describing the conceptual and linguistic underpinnings of narrative interpretation. Barbara Dancygier discusses literary texts as linguistic artifacts, describing the processes which drive the emergence of literary meaning. If a text means something to someone, she argues, there have to be linguistic phenomena that make it possible. Drawing on blending theory and construction grammar, the book focuses its linguistic lens on the concepts of the narrator and the story, and defines narrative viewpoint in a new way. The examples come from a wide spectrum of texts, primarily novels and drama, by authors such as William Shakespeare, Margaret Atwood, Philip Roth, Dave Eggers, Jan Potocki and Mikhail Bulgakov. How do we read stories? How do they engage our minds and create meaning? Drawing on blending theory and construction grammar, this book focuses its linguistic lens on the concepts of the narrator and the story, and defines narrative viewpoint in a new way. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9781107558618
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