Contributors from a wide variety of backgrounds debate how and why Shakespeare has been used and reinvented in contemporary Asia.
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Dennis Kennedy's books include The Spectator and the Spectacle: Audiences in Modernity and Postmodernity, The Oxford Encyclopedia of Theatre and Performance, Looking at Shakespeare: A Visual History of Twentieth-Century Performance, Foreign Shakespeare, and Granville Barker and the Dream of Theatre. He has twice been a fellow of the National Endowment for the Humanities in the USA, twice won the Freedley Award for theatre history, received the Chancellor's Distinguished Research Award at the University of Pittsburgh, the Berkeley Fellowship at Trinity College Dublin, and was elected to the Royal Irish Academy and Academia Europaea. His own plays have been performed in New York, London, and many other places, and he has frequently worked as a dramaturg and director in professional theatres.
Li Lan Yong is Associate Professor in the Department of English Language and Literature at the National University of Singapore.
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Zustand: New. Contributors from a wide variety of backgrounds debate how and why Shakespeare has been used and reinvented in contemporary Asia. Editor(s): Kennedy, Dennis; Yong, Li Lan. Num Pages: 304 pages, 20 b/w illus. BIC Classification: 1F; 2AB; AN; DSBD; DSGS. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 17. Weight in Grams: 45. . 2014. Paperback. . . . . Bestandsnummer des Verkäufers V9781107693739
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Zustand: New. Contributors from a wide variety of backgrounds debate how and why Shakespeare has been used and reinvented in contemporary Asia. Editor(s): Kennedy, Dennis; Yong, Li Lan. Num Pages: 304 pages, 20 b/w illus. BIC Classification: 1F; 2AB; AN; DSBD; DSGS. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 17. Weight in Grams: 45. . 2014. Paperback. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9781107693739
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Paperback. Zustand: new. Paperback. Addressing both theoretical and practical questions surrounding Shakespeare in contemporary Asia, this book asks why Shakespeare has been of use in these vast regions of the world that have no need to call on him. By investigating some of the ways Shakespeare has been reinvented and deployed, the study notes the differences between standard western approaches and those that can be seen in Japan, China, India, and South East Asia. The contributors come from a wide variety of backgrounds and traditions, West and East, and present distinctive, and sometimes conflicting, views on topics as diverse as speaking Shakespeare in Japanese, the importation and exportation of Shakespeare in Asia, and the uses of the English national poet in Indian film and Japanese popular culture. The debates which occur within the book highlight the diversity of production and reception for the world's most popular playwright, whose work is now global cultural capital. Shakespeare, the world's most popular dramatist, is produced and transformed in huge variety around the globe. This book investigates how Shakespeare is used in contemporary Asia, asking why countries as diverse as China, Japan and India have become interested in Shakespeare and how they have redefined his work. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9781107693739
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