This dictionary, by the Victorian composer Sir John Stainer, provides both short definitions and longer articles on musical terms.
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Paperback. Zustand: Fair. This illustrated dictionary, written by the prolific Victorian composer Sir John Stainer (1840??1901) ?? best remembered today for his oratorio The Crucifixion ?? and W. A. Barrett, was first published by Novello in 1876. It provides definitions for 'the chief musical terms met with in scientific, theoretical, and practical treatises, and in the more common annotated programmes and newspaper criticisms', ranging from short explanations of the Italian words for tempi, through descriptions of ancient instruments to expansive articles on such topics as acoustics, copyright, hymn tunes, the larynx and temperament. That it subsequently ran to several further editions suggests that it provided wel. Bestandsnummer des Verkäufers 435409
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Zustand: New. This dictionary, by the Victorian composer Sir John Stainer, provides both short definitions and longer articles on musical terms. Editor(s): Stainer, John; Barrett, William. Series: Cambridge Library Collection - Music. Num Pages: 468 pages, black & white illustrations. BIC Classification: AV. Category: (P) Professional & Vocational. Dimension: 244 x 170 x 24. Weight in Grams: 740. . 2009. Annotated. paperback. . . . . Bestandsnummer des Verkäufers V9781108000918
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Zustand: New. This dictionary, by the Victorian composer Sir John Stainer, provides both short definitions and longer articles on musical terms. Editor(s): Stainer, John; Barrett, William. Series: Cambridge Library Collection - Music. Num Pages: 468 pages, black & white illustrations. BIC Classification: AV. Category: (P) Professional & Vocational. Dimension: 244 x 170 x 24. Weight in Grams: 740. . 2009. Annotated. paperback. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9781108000918
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Zustand: New. Print on Demand pp. 468 67:B&W 6.69 x 9.61 in or 244 x 170 mm (Pinched Crown) Perfect Bound on White w/Gloss Lam. Bestandsnummer des Verkäufers 8313244
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Paperback. Zustand: new. Paperback. This illustrated dictionary, written by the prolific Victorian composer Sir John Stainer (18401901) best remembered today for his oratorio The Crucifixion and W. A. Barrett, was first published by Novello in 1876. It provides definitions for 'the chief musical terms met with in scientific, theoretical, and practical treatises, and in the more common annotated programmes and newspaper criticisms', ranging from short explanations of the Italian words for tempi, through descriptions of ancient instruments to expansive articles on such topics as acoustics, copyright, hymn tunes, the larynx and temperament. That it subsequently ran to several further editions suggests that it provided welcome guidance for the concert-going public in the nineteenth century. This dictionary, by the composer Sir John Stainer and W. A. Barrett, was first published by Novello in 1876 and subsequently ran to several editions. It provides definitions for 'the chief musical terms met with in scientific, theoretical, and practical treatises, and in the more common annotated programmes and newspaper criticisms'. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9781108000918
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Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Inhaltsverzeichnis1. Introduction 2. Dictionary.KlappentextThis dictionary, by the Victorian composer Sir John Stainer, provides both short definitions and longer articles on musical terms. Bestandsnummer des Verkäufers 447223698
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This illustrated dictionary, written by the prolific Victorian composer Sir John Stainer (1840-1901) - best remembered today for his oratorio The Crucifixion - and W. A. Barrett, was first published by Novello in 1876. It provides definitions for 'the chief musical terms met with in scientific, theoretical, and practical treatises, and in the more common annotated programmes and newspaper criticisms', ranging from short explanations of the Italian words for tempi, through descriptions of ancient instruments to expansive articles on such topics as acoustics, copyright, hymn tunes, the larynx and temperament. That it subsequently ran to several further editions suggests that it provided welcome guidance for the concert-going public in the nineteenth century. Bestandsnummer des Verkäufers 9781108000918
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