Renaissance poetry anthologies were crafted within the book trade and re-crafted through performance, transforming Early Modern cultures of recreation.
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Michelle O'Callaghan is Professor of Early Modern Literature and Culture and director of the Early Modern Research Centre at the University of Reading. Her books include The Shepheards Nation: Jacobean Spenserians and Early Stuart Political Culture, 1612-1625 (2000), The English Wits: Literature and Sociability in Early Modern England (2007) and Thomas Middleton, Renaissance Dramatist (2009).
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Anbieter: Anselm Scrivener Books, Chapel Hill, NC, USA
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Hardcover. Zustand: new. Hardcover. The printed poetry anthologies first produced in sixteenth-century England have long been understood as instrumental in shaping the history of English poetry. This book offers a fresh approach to this history by turning attention to the recreative properties of these books, both in the sense of making again, of crafting and recrafting, and of poetry as a pleasurable pastime. The model of materiality employed extends from books-as-artefacts to their embodiedness - their crafted, performative, and expressive capacities. Publishers invariably advertised the recreational uses of anthologies, locating these books in early modern performance cultures in which poetry was read, silently and in company, sometimes set to music, and re-crafted into other forms. Engaging with studies of material cultures, including work on craft, households, and soundscapes, Crafting Poetry Anthologies argues for a domestic Renaissance in which anthologies travelled across social classes, shaping recreational cultures that incorporated men and women in literary culture. This study of how poetry was collected in anthologies in Renaissance England reads canonical authors Surrey, Spenser, and Sidney alongside women and non-elite writers. Designed for English literature students, its innovative focus on the crafted book and recreation will also interest students of early modern history, book history, and musicology. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781108491099
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Hardcover. Zustand: new. Hardcover. The printed poetry anthologies first produced in sixteenth-century England have long been understood as instrumental in shaping the history of English poetry. This book offers a fresh approach to this history by turning attention to the recreative properties of these books, both in the sense of making again, of crafting and recrafting, and of poetry as a pleasurable pastime. The model of materiality employed extends from books-as-artefacts to their embodiedness - their crafted, performative, and expressive capacities. Publishers invariably advertised the recreational uses of anthologies, locating these books in early modern performance cultures in which poetry was read, silently and in company, sometimes set to music, and re-crafted into other forms. Engaging with studies of material cultures, including work on craft, households, and soundscapes, Crafting Poetry Anthologies argues for a domestic Renaissance in which anthologies travelled across social classes, shaping recreational cultures that incorporated men and women in literary culture. This study of how poetry was collected in anthologies in Renaissance England reads canonical authors Surrey, Spenser, and Sidney alongside women and non-elite writers. Designed for English literature students, its innovative focus on the crafted book and recreation will also interest students of early modern history, book history, and musicology. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9781108491099
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