Spanning a hundred years (1910 - 2010) and three geographical locations - Europe, Japan and North America - this unique book examines the capacity of performance to recode reality. It argues for a seamless continuity between philosophy, critical theory and artistic practice. Each chapter ends with scores, providing readers with the opportunity to explore the discussed ideas in an embodied, and, where applicable, interactional way.
The book's analysis of such landmark phenomena as the ready-made, action painting, intermedia, feminine writing, identity politics, cyborgian bio-art and ludic (h)activism make it an invaluable source for practical theorists, and undergraduate and Masters-level students of performance studies, performing arts, fine and visual arts and cultural studies.
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Natasha Lushetich lectures at the University of Exeter, UK, where her specialist areas include intermedia, live art, questions of identity and ideology, and performance and philosophy.
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Zustand: New. pp. 296. Bestandsnummer des Verkäufers 18374768713
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Zustand: New. This book introduces the fundamental concepts of interdisciplinarity in performance, tracing its development from Futurism and Dadaism to the present. It enables students to understand the different modes of interdisciplinary performance making, and to conceive and realise performance work of their own. Num Pages: 296 pages, 18 halftones. BIC Classification: AN; AS. Category: (U) Tertiary Education (US: College). Dimension: 234 x 156. Weight in Grams: 454. . 2016. 1st ed. 2016. Paperback. . . . . Bestandsnummer des Verkäufers V9781137335012
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Zustand: New. Unique approach: the book does not use theory to analyse artistic practice but shows artistic practice to be with coextensive with philosophy/critical theory Wealth of applications: suitable for undergraduate and MA level students of Performing Ar. Bestandsnummer des Verkäufers 447293544
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Paperback. Zustand: New. Spanning a hundred years (1910 - 2010) and three geographical locations - Europe, Japan and North America - this unique book examines the capacity of performance to recode reality. It argues for a seamless continuity between philosophy, critical theory and artistic practice. Each chapter ends with scores, providing readers with the opportunity to explore the discussed ideas in an embodied, and, where applicable, interactional way. The book's analysis of such landmark phenomena as the ready-made, action painting, intermedia, feminine writing, identity politics, cyborgian bio-art and ludic (h)activism make it an invaluable source for practical theorists, and undergraduate and Masters-level students of performance studies, performing arts, fine and visual arts and cultural studies. Bestandsnummer des Verkäufers LU-9781137335012
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Paperback. Zustand: New. Spanning a hundred years (1910 - 2010) and three geographical locations - Europe, Japan and North America - this unique book examines the capacity of performance to recode reality. It argues for a seamless continuity between philosophy, critical theory and artistic practice. Each chapter ends with scores, providing readers with the opportunity to explore the discussed ideas in an embodied, and, where applicable, interactional way. The book's analysis of such landmark phenomena as the ready-made, action painting, intermedia, feminine writing, identity politics, cyborgian bio-art and ludic (h)activism make it an invaluable source for practical theorists, and undergraduate and Masters-level students of performance studies, performing arts, fine and visual arts and cultural studies. Bestandsnummer des Verkäufers LU-9781137335012
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Zustand: New. This book introduces the fundamental concepts of interdisciplinarity in performance, tracing its development from Futurism and Dadaism to the present. It enables students to understand the different modes of interdisciplinary performance making, and to conceive and realise performance work of their own. Num Pages: 296 pages, 18 halftones. BIC Classification: AN; AS. Category: (U) Tertiary Education (US: College). Dimension: 234 x 156. Weight in Grams: 454. . 2016. 1st ed. 2016. Paperback. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9781137335012
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Taschenbuch. Zustand: Neu. Neuware - Spanning a hundred years (1910 - 2010) and three geographical locations - Europe, Japan and North America - this unique book examines the capacity of performance to recode reality. It argues for a seamless continuity between philosophy, critical theory and artistic practice. Each chapter ends with scores, providing readers with the opportunity to explore the discussed ideas in an embodied, and, where applicable, interactional way. The book's analysis of such landmark phenomena as the ready-made, action painting, intermedia, feminine writing, identity politics, cyborgian bio-art and ludic (h)activism make it an invaluable source for practical theorists, and undergraduate and Masters-level students of Performance Studies, Performing Arts, Fine and Visual Arts and Cultural Studies. Bestandsnummer des Verkäufers 9781137335012
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