This collection offers an overview of the ways in which space has become relevant to the study of Shakespearean drama and theatre. It distinguishes various facets of space, such as structural aspects of dramatic composition, performance space and the evocation of place, linguistic, social and gendered spaces, early modern geographies, and the impact of theatrical mobility on cultural exchange and the material world. These facets of space are exemplified in individual essays. Throughout, the Shakespearean stage is conceived as a topological ‘node’, or interface between different times, places and people – an approach which also invokes Edward Soja’s notion of ‘Thirdspace’ to describe the blend between the real and the imaginary characteristic of Shakespeare’s multifaceted theatrical world. Part Two of the volume emphasises the theatrical mobility of Hamlet – conceptually from an anthropological perspective, and historically in the tragedy’s migrations to Germany, Russia and NorthAmerica.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Ina Habermann is Professor of English at the University of Basel, Switzerland. She is the author of Staging Slander and Gender in Early Modern England (2003) and Myth, Memory and the Middlebrow: J.B. Priestley and the Symbolic Form of Englishness (2010).
Michelle Witen is Postdoctoral Teaching and Research Fellow at the University of Basel, Switzerland. Her research interests include Modernist incorporations of musical structure and nineteenth-century newspapers. Her monograph James Joyce’s Absolute Music is forthcoming.
This collection offers an overview of the ways in which space has become relevant to the study of Shakespearean drama and theatre. It distinguishes various facets of space, such as structural aspects of dramatic composition, performance space and the evocation of place, linguistic, social and gendered spaces, early modern geographies, and the impact of theatrical mobility on cultural exchange and the material world. These facets of space are exemplified in individual essays. Throughout, the Shakespearean stage is conceived as a topological ‘node’, or interface between different times, places and people – an approach which also invokes Edward Soja’s notion of ‘Thirdspace’ to describe the blend between the real and the imaginary characteristic of Shakespeare’s multifaceted theatrical world. Part Two of the volume emphasises the theatrical mobility of Hamlet – conceptually from an anthropological perspective, and historically in the tragedy’s migrations to Germany, Russia and NorthAmerica.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Bay State Book Company, North Smithfield, RI, USA
Zustand: very_good. Bestandsnummer des Verkäufers BSM.1BFCJ
Anzahl: 1 verfügbar
Anbieter: Brook Bookstore On Demand, Napoli, NA, Italien
Zustand: new. Questo è un articolo print on demand. Bestandsnummer des Verkäufers e3fed342c75592da48dda82d404047a8
Anzahl: Mehr als 20 verfügbar
Anbieter: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Deutschland
Buch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This collection offers an overview of the ways in which space has become relevant to the study of Shakespearean drama and theatre. It distinguishes various facets of space, such as structural aspects of dramatic composition, performance space and the evocation of place, linguistic, social and gendered spaces, early modern geographies, and the impact of theatrical mobility on cultural exchange and the material world. These facets of space are exemplified in individual essays. Throughout, the Shakespearean stage is conceived as a topological 'node', or interface between different times, places and people - an approach which also invokes Edward Soja's notion of 'Thirdspace' to describe the blend between the real and the imaginary characteristic of Shakespeare's multifaceted theatrical world. Part Two of the volume emphasises the theatrical mobility of Hamlet - conceptually from an anthropological perspective, and historically in the tragedy's migrations to Germany, Russia and North America. 300 pp. Englisch. Bestandsnummer des Verkäufers 9781137518347
Anzahl: 2 verfügbar
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In. Bestandsnummer des Verkäufers ria9781137518347_new
Anzahl: Mehr als 20 verfügbar
Anbieter: moluna, Greven, Deutschland
Zustand: New. Bestandsnummer des Verkäufers 120069536
Anzahl: Mehr als 20 verfügbar
Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
Zustand: New. Editor(s): Habermann, Ina; Witen, Michelle. Series: Palgrave Shakespeare Studies. Num Pages: 297 pages, biography. BIC Classification: 2AB; DSGS. Category: (G) General (US: Trade). Dimension: 210 x 148 x 21. Weight in Grams: 519. . 2016. Hardback. . . . . Bestandsnummer des Verkäufers V9781137518347
Anzahl: 15 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This collection offers an overview of the ways in which space has become relevant to the study of Shakespearean drama and theatre. It distinguishes various facets of space, such as structural aspects of dramatic composition, performance space and the evocation of place, linguistic, social and gendered spaces, early modern geographies, and the impact of theatrical mobility on cultural exchange and the material world. These facets of space are exemplified in individual essays. Throughout, the Shakespearean stage is conceived as a topological 'node', or interface between different times, places and people - an approach which also invokes Edward Soja's notion of 'Thirdspace' to describe the blend between the real and the imaginary characteristic of Shakespeare's multifaceted theatrical world. Part Two of the volume emphasises the theatrical mobility of Hamlet - conceptually from an anthropological perspective, and historically in the tragedy's migrations to Germany, Russia and NorthAmerica. Bestandsnummer des Verkäufers 9781137518347
Anzahl: 1 verfügbar
Anbieter: Books Puddle, New York, NY, USA
Zustand: New. pp. 282. Bestandsnummer des Verkäufers 26375178741
Anzahl: 4 verfügbar
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
Zustand: New. Print on Demand pp. 282. Bestandsnummer des Verkäufers 371948074
Anzahl: 4 verfügbar
Anbieter: buchversandmimpf2000, Emtmannsberg, BAYE, Deutschland
Buch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This collection offers an overview of the ways in which space has become relevant to the study of Shakespearean drama and theatre. It distinguishes various facets of space, such as structural aspects of dramatic composition, performance space and the evocation of place, linguistic, social and gendered spaces, early modern geographies, and the impact of theatrical mobility on cultural exchange and the material world. These facets of space are exemplified in individual essays. Throughout, the Shakespearean stage is conceived as a topological ¿node¿, or interface between different times, places and people ¿ an approach which also invokes Edward Sojäs notion of ¿Thirdspace¿ to describe the blend between the real and the imaginary characteristic of Shakespeare¿s multifaceted theatrical world. Part Two of the volume emphasises the theatrical mobility of Hamlet ¿ conceptually from an anthropological perspective, and historically in the tragedy¿s migrations to Germany, Russia and NorthAmerica.Springer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 300 pp. Englisch. Bestandsnummer des Verkäufers 9781137518347
Anzahl: 1 verfügbar