Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 67. Chapters: Tarot, Roman Inquisition, Aldine Press, Andrea Doria, Italian Renaissance painting, Thematic development of Italian Renaissance painting, Roman Academies, Franciscus Patricius, Via della Scrofa 117, Rome, Palazzo Torlonia, Cortile del Belvedere, Giovanni II Bentivoglio, Relazione, De viris illustribus, Giacomo Castelvetro, Italian Renaissance interior design, Palazzo della Cancelleria, Sprezzatura, Cinquecento, Signoria, Quattrocento, Bonfire of the Vanities, Strozzi family, Camera degli Sposi, Tondo, The Mythic Tarot, Treaty of Lodi, Giovanni Andrea Doria, André Chastel, Stipo a bambocci, Venetian school, Antonio Viviani, Antonio de Venafro, Sacred conversation, Giardino Bardini, Gonfaloniere, Romanism, Amongst the Medici, Forlivese school of art, Paragone. Excerpt: Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring within the area of present-day Italy, which was at that time divided into many political areas. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, nonetheless wandered the length and breadth of Italy, often occupying a diplomatic status and disseminating both artistic and philosophical ideas. The city that is renowned as the birthplace of the Renaissance and in particular, Renaissance painting, is Florence. A detailed background is given in the companion articles Renaissance and Renaissance architecture. Italian Renaissance painting can be divided into four periods: the Proto-Renaissance, 1300-1400; the Early Renaissance, 1400-1475; the High Renaissance, 1475-1525, and Mannerism, 1525-1600. These dates are approximations rather than specific points because the lives of individual artists and their personal styles overlapped ...
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Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Source: Wikipedia. Pages: 67. Chapters: Tarot, Roman Inquisition, Aldine Press, Andrea Doria, Italian Renaissance painting, Thematic development of Italian Renaissance painting, Roman Academies, Franciscus Patricius, Via della Scrofa 117, Rome, Palazzo Torlonia, Cortile del Belvedere, Giovanni II Bentivoglio, Relazione, De viris illustribus, Giacomo Castelvetro, Italian Renaissance interior design, Palazzo della Cancelleria, Sprezzatura, Cinquecento, Signoria, Quattrocento, Bonfire of the Vanities, Strozzi family, Camera degli Sposi, Tondo, The Mythic Tarot, Treaty of Lodi, Giovanni Andrea Doria, André Chastel, Stipo a bambocci, Venetian school, Antonio Viviani, Antonio de Venafro, Sacred conversation, Giardino Bardini, Gonfaloniere, Romanism, Amongst the Medici, Forlivese school of art, Paragone. Excerpt: Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring within the area of present-day Italy, which was at that time divided into many political areas. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, nonetheless wandered the length and breadth of Italy, often occupying a diplomatic status and disseminating both artistic and philosophical ideas. The city that is renowned as the birthplace of the Renaissance and in particular, Renaissance painting, is Florence. A detailed background is given in the companion articles Renaissance and Renaissance architecture. Italian Renaissance painting can be divided into four periods: the Proto-Renaissance, 1300 1400; the Early Renaissance, 1400 1475; the High Renaissance, 1475 1525, and Mannerism, 1525 1600. These dates are approximations rather than specific points because the lives of individual artists and their personal styles overlapped the different periods. The Proto-Renaissance begins with the professional life of the painter Giotto and includes Taddeo Gaddi, Orcagna and Altichiero. The Early Renaissance was marked by the work of Masaccio, Fra Angelico, Paolo Uccello, Piero della Francesca and Verrocchio. The High Renaissance period was that of Leonardo da Vinci, Michelangelo and Raphael. The Mannerist period included Andrea del Sarto, Pontormo and Tintoretto. Mannerism is dealt with in a separate article. The Tribute Money for the Brancacci by Masaccio, a fresco cycle that had great influence upon subsequent artists The Birth of the Virgin Mary, by Domenico Ghirlandaio, shows the introduction of patron's families into religious cycles. The influences upon the development of Renaissance painting in Italy are those that also affected Philosophy, Literature, Architecture, Theology, Science, Government and other aspects of society. The following is a 68 pp. Englisch. Bestandsnummer des Verkäufers 9781157504221
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