Inhaltsangabe
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1873 edition. Excerpt: ... And likewise the sketches of Stella in different attitudes, which she had made with a view to Alda's picture, were worth working at with her utmost power. For Edgar's own part, he had resolved on a scene which Cherry thought wild and impracticable, till he had dashed in his sketch of Brynhild asleep in the circle of fire, with Sigurd about to break through. There was something so bright and fiery, so expressive and powerful, in the hastily-designed and partly-coloured ebauche that Cherry gazed at it like something of weird and magical beauty, only longing for her master to see it, and own Edgar's genius. Brynhild's model was Wilmet, who, much against the grain, was induced to let down all her mass of hair, and let Edgar pose her on the sofa squab with bare arms. In his mischief, however, he produced a counter pen-and-ink outline of Marilda in the same position, with all the pointed flames labelled with the names of various stocks and securities; while Sigurd's helmet disclosed Felix, armed with the 'Pursuivant,' and hesitating to plunge in. He might with equal propriety have drawn himself, his sister Alda thought, for on failing with Felix, she had actually whispered the same hint to him, but was met with the reply, 'Oh no, I am not bad enough for that.' She was spending a week longer at Centry, that Sir Adrian might massacre the pheasants, which, however, he considered to be so disgracefully preserved, that he spent much time and eloquence in explaining to Miss Underwood how she might render her game a source of profit. One November day, the last of the Vanderkists' stay at Centry, when the sisters had been sent for in the afternoon, and he and Lance were to follow for the evening, Felix, returning into his office, was amazed to see a...
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