Excerpt from Studies in Pictures: An Introduction to the Famous Galleries
The masterpieces of painting need no apologies; if they did they would not be masterpieces. Some times, however, a word of explanation puts them in a better light. Gallery visitors are disposed to jump at conclusions about them, to exalt or debase them in advance of the evidence. That is why so many tourists return from Europe each season with mixed or violent opinions about the old masters. They have not seen truly nor comprehended adequately nor judged justly. For them, or for the newer and younger flight that goes over seas each summer to study art, possibly this little volume may prove of service. It is not put forth as the final word; in fact, it is only the first word - something designed to in troduce the subject to further consideration.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Forgotten Books, London, Vereinigtes Königreich
Paperback. Zustand: New. Print on Demand. This book examines the representation of paintings in museums and the ways in which these institutional settings impact our understanding of the artwork. The author argues that the museum environment, with its focus on preservation and organization, often distorts the original meaning and impact of the paintings. The book provides a series of case studies, examining famous paintings from the Renaissance to the present day, to illustrate the ways in which gallery placement, lighting, and restoration can affect our perception of them. The author goes on to discuss the ways in which the museum environment can influence our understanding of the artist's intent. They argue that the focus on preservation and conservation in museums can lead to paintings being presented in a way that is divorced from their original context, which includes the artist's intended audience and the social and cultural values of the time in which it was created. This book will be of interest to anyone interested in art history, museum studies, and the ways in which our understanding of art is shaped by the institutions that present it. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Bestandsnummer des Verkäufers 9781330090633_0
Anzahl: Mehr als 20 verfügbar
Anbieter: PBShop.store US, Wood Dale, IL, USA
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers LW-9781330090633
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers LW-9781330090633
Anzahl: 15 verfügbar