Verwandte Artikel zu Chinese Music (Classic Reprint)
Inhaltsangabe
Excerpt from Chinese Music
The origin of music may from its nature be attributed to times coeval with the appearance of man on earth. Indeed, what is music? Listen to the accents of Nature! Hear the murmur of streams, the whisper of trees' leaves, the moaning of winds, the distant rolling of thunder, the resounding majesty of the ocean! Notice the bleating of the timid sheep, the lowing of herds, the singing of the lark, the animated cadence of the nightingale! What are all those voices but music, but a concert - a hymn which impresses the soul and elevates it to the ideal of infinite beauty?
When man began to contemplate the vast universe, his attention was naturally directed to harmonious Nature. The singing of birds, above all, must have deeply impressed him and led him to vocal imitation. In the course of time he contrived to combine the natural sounds of his voice into a system, to arrange them into melodies agreeable to the ear, and, finally, to make instruments by which the melodies could be rendered.
Mythology shows us orpheus, on the Thracian mountains, submitting the forest monsters to the power of his lyre; arion escaping submersion; amphion building cities. If we open the annals of history we find EU hsi playing on the ch'in timotheus subjugating alexander; the rustic Spartans proscribing every art except music; the same Spartans, often defeated, led to victory by the songs of the Athenian tyrteus. In the Holy Scriptures we are told of tubal cain, the sixth descendant from cain, manufacturing instruments; of moses singing a hymn with accompaniment of timbrels, after the passage of the Red Sea; and of King david playing on the harp. The Egyptian history mentions ptolemy philadelphus employing a band of 600 musicians to celebrate the feast of Bacchus; and ptolemy auletes, or the flute player, competing in his own palace with the greatest professional musicians.
Indeed, no nation on earth has existed that did not love that enchanting art, however rude and artless the primitive systems may have been. It is everywhere an instinct of Nature, a want of the soul; it is found in the camps, in the forests, in the gilded palaces of the despots of the East, in the meadows of America; it cheers solitude; it charms society; it animates at the same time war and pastoral life.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from Chinese Music
The origin of music may from its nature be attributed to times coeval with the appearance of man on earth. Indeed, what is music? Listen to the accents of Nature! Hear the murmur of streams, the whisper of trees' leaves, the moaning of winds, the distant rolling of thunder, the resounding majesty of the ocean! Notice the bleating of the timid sheep, the lowing of herds, the singing of the lark, the animated cadence of the nightingale! What are all those voices but music, but a concert - a hymn which impresses the soul and elevates it to the ideal of infinite beauty?
When man began to contemplate the vast universe, his attention was naturally directed to harmonious Nature. The singing of birds, above all, must have deeply impressed him and led him to vocal imitation. In the course of time he contrived to combine the natural sounds of his voice into a system, to arrange them into melodies agreeable to the ear, and, finally, to make instruments by which the melodies could be rendered.
Mythology shows us orpheus, on the Thracian mountains, submitting the forest monsters to the power of his lyre; arion escaping submersion; amphion building cities. If we open the annals of history we find EU hsi playing on the ch'in timotheus subjugating alexander; the rustic Spartans proscribing every art except music; the same Spartans, often defeated, led to victory by the songs of the Athenian tyrteus. In the Holy Scriptures we are told of tubal cain, the sixth descendant from cain, manufacturing instruments; of moses singing a hymn with accompaniment of timbrels, after the passage of the Red Sea; and of King david playing on the harp. The Egyptian history mentions ptolemy philadelphus employing a band of 600 musicians to celebrate the feast of Bacchus; and ptolemy auletes, or the flute player, competing in his own palace with the greatest professional musicians.
Indeed, no nation on earth has existed that did not love that enchanting art, however rude and artless the primitive systems may have been. It is everywhere an instinct of Nature, a want of the soul; it is found in the camps, in the forests, in the gilded palaces of the despots of the East, in the meadows of America; it cheers solitude; it charms society; it animates at the same time war and pastoral life.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Reseña del editor
Excerpt from Chinese Music
The Chinese have the reputation of being a strange people, with a peculiar language, peculiar institutions, customs, and manners, utterly different from those of our Western countries.
Since Chinese ports were thrown open to foreigners, the influx of visitors of all kinds has continually increased. Missionaries, diplomats, travellers - some led there by duty, others attracted by the prospect of a new field for studies, and others guided by mere curiosity - have crossed the country in all directions. From these visits has resulted a large number of books - relations of travels, descriptions of country, customs, and manners - books on any subject, all tending to acquaint Western nations with the wonderful Celestial Empire, and, principally, to point out the immense difference existing between Chinese and European ideas.
Amongst the subjects which have been treated with the least success by foreign writers, Chinese Music ranks prominently. If mentioned at all in their books, it is simply to remark that "it is detestable, noisy, monotonous; that it hopelessly outrages our Western notions of music," etc. I do not wish to create any discussions by contradicting these and many other erroneous statements found in descriptions of Chinese Music: it would take too long a time.
In the description I give here I will endeavour to point out the contrasts or similarity between Western and Chinese Music, to present abstruse theories in the least tiresome way, to add details never before published, and to give a short yet concise account of Chinese Music.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Zustand: New. KlappentextrnrnExcerpt from Chinese MusicThe origin of music may from its nature be attributed to times coeval with the appearance of man on earth. Indeed, what is music? Listen to the accents of Nature! Hear the murmur of streams, the w. Bestandsnummer des Verkäufers 2147743216
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Paperback. Zustand: New. Print on Demand. Embark on a captivating exploration into the intricate world of Chinese music, delving into its historical roots, philosophical underpinnings, and unique characteristics. This book unveils the intriguing contrasts and surprising similarities between Eastern and Western musical traditions, offering a fresh perspective on this often misunderstood art form. The author traces the origins of Chinese music back to ancient times, highlighting its profound connection to nature, cosmology, and the harmonious balance between heaven, earth, and humankind. The book delves into the fascinating realm of the "lus," a series of bamboo tubes that served as the foundation of Chinese musical theory, and explores the intricate system of notation, scales, and pitch that shaped this unique musical landscape. Discover the profound influence of Confucian philosophy and ritual practices on Chinese music, as the book sheds light on the significance of sacred music in imperial ceremonies and the veneration of Confucius. Gain insights into the distinctive features of Chinese vocal music, the absence of harmony as understood in the West, and the enduring legacy of this ancient musical tradition. This book's insightful exploration of Chinese music challenges conventional perceptions and reveals the depth and beauty of a musical system that has evolved over centuries, reflecting the cultural values and philosophical wisdom of a civilization steeped in history and tradition. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Bestandsnummer des Verkäufers 9781330251133_0
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