Excerpt from An Introduction to the Study of Robert Browning's Poetry
The study of poetry, in our institutions of learning, so far as I have taken note of it, and the education induced thereby, are almost purely intellectual. The student's spiritual nature is left to take care of itself and the consequence is that he becomes, at best, only a thinking and analyzing machine. The spiritual claims of the study of poetry are especially demanded in the case of Browning's poetry. Browning is gen erally and truly regarded as the most intellectual of poets. No poetry in English literature, or in any literature, is more charged with discursive thought than his. But he is, at the same time, the most spiritual and transcendental of poets, the subtlest assertor of the Soul in Song. His thought is never an end to itself, but is always subservient to an ulterior spiritual end always directed towards a presentment of the correspond ency of the universe to Deity, of the natural to the spirit ual, and of the actual to the ideal and it is all-important that students should be awakened, and made, as far as possi ble, responsive to this spiritual end. The sections of the Introduction on Personality and Art were read before the Browning Society of London, in June, 1882. I have seen no reason for changing or modifying, in any respect, the views therein expressed.
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Excerpt from An Introduction to the Study of Robert Browning's Poetry
The study of poetry, in our institutions of learning, so far as I have taken note of it, and the education induced thereby, are almost purely intellectual. The student's spiritual nature is left to take care of itself and the consequence is that he becomes, at best, only a thinking and analyzing machine.
The spiritual claims of the study of poetry are especially demanded in the case of Browning's poetry. Browning is gen erally and truly regarded as the most intellectual of poets. No poetry in English literature, or in any literature, is more charged with discursive thought than his. But he is, at the same time, the most spiritual and transcendental of poets, the subtlest assertor of the Soul in Song. His thought is never an end to itself, but is always subservient to an ulterior spiritual end always directed towards a presentment of the correspond ency of the universe to Deity, of the natural to the spirit ual, and of the actual to the ideal and it is all-important that students should be awakened, and made, as far as possi ble, responsive to this spiritual end.
The sections of the Introduction on Personality and Art were read before the Browning Society of London, in June, 1882. I have seen no reason for changing or modifying, in any respect, the views therein expressed.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from An Introduction to the Study of Robert Browning's Poetry
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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