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The Genesis of Art-Form: An Essay in Comparative Aesthetics Showing the Identity of the Sources, Methods, and Effects of Composition in Music, Poetry, ... Sculpture and Architecture (Classic Reprint) - Softcover

 
9781330871928: The Genesis of Art-Form: An Essay in Comparative Aesthetics Showing the Identity of the Sources, Methods, and Effects of Composition in Music, Poetry, ... Sculpture and Architecture (Classic Reprint)

Inhaltsangabe

Excerpt from The Genesis of Art-Form: An Essay in Comparative Aesthetics Showing the Identity of the Sources, Methods, and Effects of Composition in Music, Poetry, Painting, Sculpture and Architecture

Nor is the taste of any age, however it may stimulate ability or aspiration to produce, above the sway of fashions, good and bad, that, in proportion as they keep truth fettered, render excellence impossible. In order to attain this, the leader in art, as in religion, must break away from them, in fact from all the shackles of conventional traditionalism - one might almost say of historic criticism, broadly beneficial as this has been in many a direction, - and. Searching back of them, must find within himself and in the world about him, those first principles that underlie the nature of both thought and things.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Reseña del editor

Excerpt from The Genesis of Art-Form: An Essay in Comparative Aesthetics Showing the Identity of the Sources, Methods, and Effects of Composition in Music, Poetry, Painting, Sculpture and Architecture

Nor is the taste of any age, however it may stimulate ability or aspiration to produce, above the sway of fashions, good and bad, that, in proportion as they keep truth fettered, render excellence impossible. In order to attain this, the leader in art, as in religion, must break away from them, in fact from all the shackles of conventional traditionalism - one might almost say of historic criticism, broadly beneficial as this has been in many a direction, - and. Searching back of them, must find within himself and in the world about him, those first principles that underlie the nature of both thought and things.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Reseña del editor

Excerpt from The Genesis of Art-Form: An Essay in Comparative Aesthetics Showing the Identity of the Sources, Methods, and Effects of Composition in Music, Poetry, Painting, Sculpture and Architecture

This book is the result of an endeavor to trace to their sources in mind or matter the methods employed in the composition of the art-forms. As an incidental, yet, as it seemed, necessary step to the accomplishment of this endeavor, the action of the mind in these methods has been identified with its action in scientific classification; the methods have been arranged according to the logical order of their development; they have had added to them, so as to render the whole presentation complete, a number hitherto recognized, if at all, only indirectly; and their character and effects have been shown to be exemplified not alone in painting, sculpture, or architecture, to which it has been customary to confine consideration in essays of this kind, but equally in all the arts.

The theoretical, too, has been so connected throughout with the practical - each principle unfolded has been so amply illustrated - that it is hoped that the work will meet the requirements of that large number of readers who, while interested in the one or the other of these phases of the subject, are not interested in both. Such a partial interest with reference to that which it is important to understand in full, all must recognize to be unfortunate; so much so that any attempts, as in these pages, tending, however slightly, to remedy it ought to be welcomed. It is equally unfortunate too critic and producer.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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George Lansing Raymond
Verlag: Forgotten Books, 2018
ISBN 10: 1330871928 ISBN 13: 9781330871928
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George Lansing Raymond
Verlag: Forgotten Books, 2018
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George Lansing Raymond
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ISBN 10: 1330871928 ISBN 13: 9781330871928
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Paperback. Zustand: New. Print on Demand. This book delves into the origins and development of artistic forms, tracing the methodologies employed by artists and designers to produce aesthetically pleasing and meaningful works. The author identifies and examines the interplay between the natural world and the human mind, exploring how artists have harnessed this interplay to create forms that resonate with our senses and emotions. The book explores the fundamental principles and methods used in various art forms, from poetry and music to painting, sculpture, and architecture. It provides a fresh perspective on the creative process, examining the ways in which artists have historically sought to represent their thoughts and emotions through the manipulation of form. Through a comprehensive analysis of these methods, the book sheds light on the relationship between the artist, their work, and the audience, revealing the universal principles that underlie the creation of art across cultures and time periods. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Bestandsnummer des Verkäufers 9781330871928_0

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