Excerpt from The University Course of Music Study, Piano Series, Vol. 4: A Standardized Text-Work on Music, for Conservatories, Colleges, Private Teachers and Schools; A Scientific Basis for the Granting of School Credit for Music Study
The Cadenza passage just before the second Return to the First Theme (125) should be extremely legato; though preserving notice; able division into motives as indicated by the slurs. The Trills' which soon follow (134) must begin with the auxiliary tone above.
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Paperback. Zustand: New. Print on Demand. This book delves into the fascinating world of performance practices in classical music, taking an in-depth look at melodic embellishments as they evolved over time. The author draws connections to the instruments that shaped these embellishments, exploring the interplay between musical ornamentation, style, and the history of instruments such as the harpsichord, clavichord, and piano. Along the way, the author sheds light on the significance of embellishments in the works of renowned composers, including Mozart, Bach, and Henselt, providing valuable insights into their creative processes and styles. By examining how embellishments have been used throughout history, the book offers a nuanced understanding of the dynamic relationship between ornamentation and musical expression, ultimately revealing the enduring impact of embellishments on the interpretation and appreciation of classical music. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Bestandsnummer des Verkäufers 9781333100360_0
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers LW-9781333100360
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