Reseña del editor:
Excerpt from Young Artist's Assistant, or Elements of the Fine Arts: Containing the Principles of Drawing, Painting in General, Crayon Painting, Oil Painting, Portrait Painting, Miniature Painting, Designing, Colouring, Engraving, &C., &C
But though genius is absolutely necessary, since nothing excellent can be done without it, yet it will not alone suffice. Like a rich but uncultivated soil, it would be fruitful only in weeds, were not its exu betances corrected by the rules of art, by reflection, and a strict attention to nature, which as the grand object of a painter's meditations, ought never to be, out of his sight; itis the only source of beauty, since nothing can be pleasing that is not natural.
An intimate knowledge of the works of the ancients will be of the greatest advantage; they made nature their peculiar study, and transmitted to us examples which have ever been considered as forming a perfect rule of beauty.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Reseña del editor:
Excerpt from Young Artist's Assistant, or Elements of the Fine Arts: Containing the Principles of Drawing, Painting in General, Crayon Painting, Oil Painting, Portrait Painting, Miniature Painting, Designing, Colouring, Engraving, &C., &C
OF the different methods OF painting oil painting ot pamtmg Flesh. Prinpal colours from which all the tints of the Flesh are made, and then qualities In painting o Prmpal tints composed from the foregoing principal colours, and necessary for pamting flesh v o o o o Fnst stage, or dead-colourmg of Flesh Second painting, or second stage o third painting, or fimshmg o Ofpamtmgdraperies ofpaintingback grounds Of painting Landscapes first painiing or dead colouring o thiidandiastpainting o o crayonpaintingoooooooooooooooooooo Of the Materlals used in Crayon painting o Of rollmg the Crayons and disposnig them for painting 24) miniaturepaintingo.0.00009009000000 Colours used In miniatnre Paintmg 244. Gnndmg the colours and prepanng them for the pallet: 245 Of hair pencils. Manner of choosmg them, &c. O Ivory. Method of choosmg, bleachmg, and preparing It 2-17 Instructlons for mixing compound nuts for the tace o o 950 Of colours proper for men's drapertes. O 252 Of pamtmg the face In mmiature encaustic painting OF painting 0n glass OR back painting o 950 201 OF enamel painting Of the substances used for formmg Fluxes Of substances used for forming the body of enamel, or fluxes 271 Of the substances used foi pioducmg a tte colour In ena.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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