In this book, Wendy Arons examines how women writers used theater and performance to investigate the problem of female subjectivity and to intervene in the dominant discourse about ideal femininity. Arons shows how contemporary demands for sincerity and authenticity placed a peculiar burden on women in the public sphere, especially on actresses, who - like professional writers - overstepped the boundaries of what was considered proper behavior for women. Paradoxically, in their representations of ideal women engaged in performance, these writers expose ideal femininity as an impossible act, even as they attempt to perform it in their writing and in their lives.
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Wendy Arons is Associate Professor of Dramatic Literature & Dramaturgy and Director of the 'Performance and Ecology Public Art Initiative' at Carnegie Mellon University, USA.
"An important contribution to our understanding of eighteenth-century culture. Arons derives her critical framework from various discursive traditions and disciplinary areas, combining aspects of each in an original way that allows the reader to examine cultural conventions of women's writing in the eighteenth century--with a focus on Germany but applicable to England or France--from a new perspective. As a result, the conflicting negotiations of upholding gender norms and bourgeois aesthetic demands of 'authentic' representation via writing is revealed. The trope of women writing about the performance of virtue on the contemporary stage or at court provides an ideal vehicle for exploring these issues. This is a truly original book that is a pleasure to read."--Susan L. Cocalis, University of Massachusetts-Amherst
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Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In this book, Wendy Arons examines how women writers used theater and performance to investigate the problem of female subjectivity and to intervene in the dominant discourse about ideal femininity. Arons shows how contemporary demands for sincerity and authenticity placed a peculiar burden on women in the public sphere, especially on actresses, who - like professional writers - overstepped the boundaries of what was considered proper behavior for women. Paradoxically, in their representations of ideal women engaged in performance, these writers expose ideal femininity as an impossible act, even as they attempt to perform it in their writing and in their lives. 270 pp. Englisch. Bestandsnummer des Verkäufers 9781349534524
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Zustand: New. Editor(s): Wilmeth, Don B. Series: Palgrave Studies in Theatre and Performance History. Num Pages: 280 pages, biography. BIC Classification: AN; D; DS; VFX. Category: (G) General (US: Trade). Dimension: 216 x 140. . . 2006. Paperback. . . . . Bestandsnummer des Verkäufers V9781349534524
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