Verwandte Artikel zu Time, Media, and Visuality in Post-Revolutionary France
Inhaltsangabe
This collection of essays by leading and emerging scholars of late 18th- and 19th-century French art history offers a new account of the story of French art's modernity.
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Über die Autorinnen und Autoren
Iris Moon is Assistant Curator in the Department of European Sculpture and Decorative Arts at the Metropolitan Museum of Art, New York. She was awarded her PhD in 2013 from the Massachusetts Institute of Technology, and was previously Pre-Doctoral Fellow at the Getty Research Institute, Mellon Postdoctoral Fellow and Assistant Director for Mellon Initiatives at the Sterling and Francine Clark Art Institute, Jane and Morgan Whitney Fellow in the Department of European Sculpture and Decorative Arts at the Metropolitan Museum of Art, and Visiting Assistant Professor at the Pratt Institute, New York. She is author of The Architecture of Percier and Fontaine and the Struggle for Sovereignty in Revolutionary France (2016).
Richard Taws is Reader in the History of Art at University College London. He has been the recipient of fellowships from the Getty Foundation, Institute for Advanced Study, Princeton, and the Bard Graduate Center, New York, and he was awarded a Philip Leverhulme Prize in 2012. He is author of The Politics of the Provisional: Art and Ephemera in Revolutionary France (2013), and co-editor, with Genevieve Warwick, of Art and Technology in Early Modern Europe (2016). With a collective of scholars in various disciplines, he co-authored Interacting with Print: Elements of Reading in the Era of Print Saturation, 1700-1900 (2018).
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Time Media and Visuality in Post-
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Paperback. Zustand: New. Time, media, and visuality are watchwords of modernity across science, culture and the arts. At which point in history, though, did they decisively intersect? Identifying the year 1789 - or the beginning of the French Republic - as the radical moment at which science and the arts came together through radical innovation, this volume questions the reigning teleologies of modern art. Uniting two key areas of 19th-century European art - the French Revolution and 19th-century technological and reproductive experimentation - this novel volume highlights the dual impact these developments had on the art of the period. In doing so, it opens up new and distinctive lines of inquiry around French visual culture, all the while mapping an expanded terrain of art objects, along with makers, consumers and situations of art.Considering a remarkably broad range of media and practices through an interdisciplinary lens, this diverse collection of essays brings together both eminent and emerging scholars in 18th- and 19th-century French visual culture and enriches our understanding of the period. The essays provide thought-provoking insights on the temporal dimension of art, challenging oversimplified views of artistic progress in modernity. They question teleological narratives, emphasizing the complexity of influences shaping the modern artist. As such, the book offers a new account of the story of French art's modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and restorers, as they worked out what it meant to be "post-revolutionary." As a result, the book promises appeal to academic audiences both within and beyond the discipline of art history. Bestandsnummer des Verkäufers LU-9781350249523
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Paperback. Zustand: new. Paperback. Time, media, and visuality are watchwords of modernity across science, culture and the arts. At which point in history, though, did they decisively intersect? Identifying the year 1789 or the beginning of the French Republic as the radical moment at which science and the arts came together through radical innovation, this volume questions the reigning teleologies of modern art. Uniting two key areas of 19th-century European art the French Revolution and 19th-century technological and reproductive experimentation this novel volume highlights the dual impact these developments had on the art of the period. In doing so, it opens up new and distinctive lines of inquiry around French visual culture, all the while mapping an expanded terrain of art objects, along with makers, consumers and situations of art.Considering a remarkably broad range of media and practices through an interdisciplinary lens, this diverse collection of essays brings together both eminent and emerging scholars in 18th- and 19th-century French visual culture and enriches our understanding of the period. The essays provide thought-provoking insights on the temporal dimension of art, challenging oversimplified views of artistic progress in modernity. They question teleological narratives, emphasizing the complexity of influences shaping the modern artist. As such, the book offers a new account of the story of French arts modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and restorers, as they worked out what it meant to be post-revolutionary. As a result, the book promises appeal to academic audiences both within and beyond the discipline of art history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781350249523
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