This textbook offers a critical and inclusive overview of the musical in relation to issues of race, culture and identity. Challenging established narratives surrounding the musical, the contributors offer fresh and diverse insights into both historical and contemporary musicals.
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Sarah K. Whitfield is Reader in Musical Theatre at the University of Wolverhampton. Her research focuses on exploring the historiography of musical theatre, and recovering the work that women and minoritised groups have done through archival research and digital humanities. She has published widely on collaborative practice in musical theatre, film musicals, and in queer fan studies. Her most recent books are the edited collection Reframing the Musical: Race, Culture and Identity (2019) and co-authored with her writing partner Sean Mayes, An Inconvenient Black History of British Musical Theatre 1900-1950 (2021).
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Paperback. Zustand: Good. This critical and inclusive edited collection offers an overview of the musical in relation to issues of race, culture and identity. Bringing together contributions from Cultural, American and Theatre Studies for the first time, the chapters offer fresh perspectives on musical theatre history, calling for a radical and inclusive new approach. Bestandsnummer des Verkäufers 00091014872
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Anbieter: World of Books Inc, Montgomery, IL, USA
Paperback. Zustand: Good. This critical and inclusive edited collection offers an overview of the musical in relation to issues of race, culture and identity. Bringing together contributions from Cultural, American and Theatre Studies for the first time, the chapters offer fresh perspectives on musical theatre history, calling for a radical and inclusive new approach. Bestandsnummer des Verkäufers CIN1352004399G
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Paperback. Zustand: New. This critical and inclusive edited collection offers an overview of the musical in relation to issues of race, culture and identity. Bringing together contributions from cultural, American and theatre studies for the first time, the chapters offer fresh perspectives on musical theatre history, calling for a radical and inclusive new approach. By questioning ideas about what the musical is about and who it for, this groundbreaking book retells the story of the musical, prioritising previously neglected voices to reshape our understanding of the form. Timely and engaging, this is required reading for undergraduate and postgraduate students of musical theatre. It offers an intersectional approach which will also be invaluable for theatre practitioners. Bestandsnummer des Verkäufers LU-9781352004397
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