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A Compendium: Or, Introduction to Practical Music. In Five Parts. ... By Christopher Sympson. The Eighth Edition, With Additions - Hardcover
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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<sourceLibrary>British Library
<ESTCID>T077991
<Notes>First published in 1667 as 'A compendium of practical musick'.
<imprintFull>London : printed by W. Pearson, for Arthur Bettesworth, and Charles Hitch; Samuel Birt; John Clarke; Thomas Astley; and John Oswald, 1732. <collation>[16],144p. : ill.,port.,music ; 8°
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