Unlock the rules and rhythm behind sixteenth‑century counterpoint. This study explains how polyphonic voices weave together, with Palestrina’s style as the core example and Bach’s approach as a broader context for teaching.
This edition frames counterpoint as a practical, historical discipline. It balances theory with music-making, showing how rules evolved and how teachers can guide students toward genuine musical expression without losing the period’s distinct sound.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.