What is wrong with ‘literary modernism’ as a paradigm? One answer is that it is over-written, a kind of ‘winner’s history’ with a relatively narrow canon of innovative works, even including recent additions. Another is that it is a retrospective construction, rather than a term much used in its period. This book seeks to return to the scene of literary renewal, and to examine representative small groupings struggling, in the wake of the High Modernism of the 1920s, to articulate their own avant-garde ambitions in terms of politics, personal values, aesthetic categories, or continued allegiances to writers like Lawrence. In looking at microhistories, at literary beginnings and even at failure, we are forced to reexamine our mapping of modernism.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Tim Armstrong is Professor Emeritus at Royal Holloway, University of London. He is the author of The Logic of Slavery: Debt, Technology and Pain in American Literature (2012), Modernism: A Cultural History (2005), Haunted Hardy: Poetry, History, Memory (2000) and Modernism, Technology and the Body (1998), among other texts.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Chiron Media, Wallingford, Vereinigtes Königreich
hardcover. Zustand: New. Bestandsnummer des Verkäufers 6666-GRD-9781399535892
Anzahl: 1 verfügbar
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In. Bestandsnummer des Verkäufers ria9781399535892_new
Anzahl: 1 verfügbar
Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
Zustand: New. 2025. hardcover. . . . . . Bestandsnummer des Verkäufers V9781399535892
Anzahl: 1 verfügbar
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New. Bestandsnummer des Verkäufers 48280336-n
Anzahl: Mehr als 20 verfügbar
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
Hardback. Zustand: New. What is wrong with 'literary modernism' as a paradigm? One answer is that it is over-written, a kind of 'winner's history' with a relatively narrow canon of innovative works, even including recent additions. Another is that it is a retrospective construction, rather than a term much used in its period. This book seeks to return to the scene of literary renewal, and to examine representative small groupings struggling, in the wake of the High Modernism of the 1920s, to articulate their own avant-garde ambitions in terms of politics, personal values, aesthetic categories, or continued allegiances to writers like Lawrence. In looking at microhistories, at literary beginnings and even at failure, we are forced to reexamine our mapping of modernism. Bestandsnummer des Verkäufers LU-9781399535892
Anzahl: 1 verfügbar
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Hardcover. Zustand: Brand New. 288 pages. 9.21x6.14x9.21 inches. In Stock. This item is printed on demand. Bestandsnummer des Verkäufers __1399535897
Anzahl: 1 verfügbar
Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
Hardback. Zustand: New. New copy - Usually dispatched within 3 working days. Bestandsnummer des Verkäufers B9781399535892
Anzahl: 1 verfügbar
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition. Bestandsnummer des Verkäufers 48280336
Anzahl: Mehr als 20 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2025. hardcover. . . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9781399535892
Anzahl: 1 verfügbar
Anbieter: Rarewaves USA, OSWEGO, IL, USA
Hardback. Zustand: New. What is wrong with 'literary modernism' as a paradigm? One answer is that it is over-written, a kind of 'winner's history' with a relatively narrow canon of innovative works, even including recent additions. Another is that it is a retrospective construction, rather than a term much used in its period. This book seeks to return to the scene of literary renewal, and to examine representative small groupings struggling, in the wake of the High Modernism of the 1920s, to articulate their own avant-garde ambitions in terms of politics, personal values, aesthetic categories, or continued allegiances to writers like Lawrence. In looking at microhistories, at literary beginnings and even at failure, we are forced to reexamine our mapping of modernism. Bestandsnummer des Verkäufers LU-9781399535892
Anzahl: Mehr als 20 verfügbar