Walking in Circles Before Lying Down - Hardcover

Markoe, Merrill

Hardcover

ISBN 10: 140006483X ISBN 13: 9781400064830

Verlag: Villard Books, 2006

Inhaltsangabe

With her life rapidly falling apart in the wake of two divorces, her dysfunctional parents and sister, and her boyfriend dumping her for another woman, Dawn is stunned to discover that Chuck, a mixed breed dog she had adopted from a local animal shelter, can talk and that he may have some effective solutions to her problems. 35,000 first printing.

Über diesen Titel

Über die Autorin bzw. den Autor

Emmy Award―winning writer Merrill Markoe has authored three books of humorous essays and the novel It’s My F---ing Birthday, as well as co-authoring (with Andy Prieboy) the novel The Psycho Ex Game. She has worked as a radio host and a TV correspondent, and has written for television, movies, and a delightful assortment of publications. She lives in Los Angeles, if you can call that living.

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Chapter 1

Remember to Write from Your Unique Perspective

I think one of the things that makes me unique is that as far back as I can remember, I have always talked to a lot of things besides people. I found it comforting, a way to prove that I existed. From early childhood on, I was haunted by the feeling that no one could hear me.

I was not without my reasons. My mother, Joyce, demanded and usually got all of whatever attention was available. She was beautiful enough to have stumbled into an accidental modeling career when she was seventeen just by waving at a photographer at the beach. Dressed in her yellow plaid shorts set and a big straw hat, she looked like a cast member of some seldom seen television show greeting smitten fans. A few months later, when her picture turned up in hundreds of inexpensive frames for sale at discount drugstores, it made my mother a local celebrity. Unfortunately, because she’d signed a release and accepted fifty dollars, she never received any more money. But once she realized that people knew who she was, she felt entitled to dominate any gathering, large or small, whether or not she had anything to say. I figured out, early on, that getting a word in edgewise wasn’t going to be in the cards for me. So I became a quiet, obedient kid, good at blending in, easy to overlook. I learned to cope with my need for attention by creating my own private personal rituals to make myself feel special.

As early as second grade, I’d take the phone into the closet when I got home from school and call local radio shows so I could dedicate songs to myself. Then I’d spend hours by the radio, switching from station to station in the hope that at least one deejay would say, “ ‘You Light Up My Life’ by Debbie Boone goes out to the girl who lights up everybody’s life, Dawn Tarnauer.” I never did hear anyone say it, but I kept right on hoping. While I waited, I would pretend to host my own TV show. For guests I would interview whatever was available: my plastic horses, my stuffed animals, my mother’s cat, my chair, my own reflection.

But The Day Everything Changed was the first time that anything ever answered me back.

I was born to the prefeminist version of my mother, a woman with a constantly lit cigarette and a perpetually jiggling leg, bored out of her mind but not sure what to do about it. I think she saw her firstborn much the same way she did her never finished pieces of découpage: as something that needed more work than she had time for. By the time I was five, I had figured out that the fastest way to my mother’s heart was to fetch her cigarettes and tell her everything was going to be okay.

Halley, my sister, was born when I was six. Sometime during that pregnancy, my mother turned into a feminist. She dropped her découpage work (which consisted mainly of hatboxes shellacked with magazine clippings of female faces that looked like her own) in favor of something called “creative breakthrough parenting,” where she learned that she could offset parental neglect through the use of extravagant praise. I remember not quite trusting all her suddenly effusive reinforcement, even finding it kind of embarrassing. But it worked like gangbusters on Halley, who loved hearing that her preschool drawings were “as good as Matisse” and her one-finger piano compositions had the precocious brilliance of a grade school Beethoven. This despite the fact that neither of us really had any idea who those people were.

Of course, now that Halley and I were both effortlessly producing masterworks and our careers in the arts were assured, my mother rationalized that her presence at parent-teacher conferences and school events would be gilding the lily. This was fine with me. I was comfortable living under the radar. But it was different for Halley, who grew up feeling entitled to center stage and wondering why it seemed to elude her. When she auditioned for the seventh-grade play, Miracle on 34th Street, and was cast not as the lead but as one of the two dozen Christmas shoppers, it triggered in her an obsessive desire for a persona that everyone noticed. Soon she was dying her curly brown hair blue black, then red, then blond, and then black with orange streaks. She also started dressing more and more theatrically, favoring oversize round sunglasses, a dark head scarf, and a floor-length faux-fur coat—kind of an unintentional homage to Jackie O at Aristotle’s funeral. But despite her valiant efforts, Halley never succeeded in gaining the moniker she wanted, which would have been something as simple as “the mysterious girl dressed in black.” If the kids remembered to call her anything at all, it was something less mythic and more direct, like “dork.”

In that way, Halley was a chip off the old block. Because as we got older, Joyce, our mother, kept searching endlessly, tirelessly, for her true life’s calling. A new image was usually the first sign that things were about to change. She bounced from long-haired flamenco dancer to short-haired Scientology acolyte to buzz-cut-wearing animal- rights activist who walked picket lines at pet stores, held fund- raisers for rescue organizations, and chained herself to a five- hundred-pound Galápagos tortoise at Marine World. There was always something more pressing for my mother than paying attention to her daughters. It was clear to us that if we demanded too much of her time, it would have to be unfairly stolen from condemned animals. By taking care of ourselves and asking for nothing, we believed we were helping puppies and kittens stay alive.

On the surface, Halley and I probably looked like nice if slightly eccentric girls. Our grades were okay. We weren’t out partying or doing drugs. But on closer inspection, we had constructed a yin and yang of defense mechanisms, neurotic tics, and eating disorders. While I was busy hiding bags of pecan sandies under my bedspread to make sure I was never more than an arm’s length from sugar, just a few feet away Halley was diligently dividing a single package of celery into three days’ worth of meals.

Fortunately, there was a father in residence to help this teeter- tottering family create some stability: Ted Tarnauer, owner and general manager of a small but popular vintage car repair. Ted was very proud of his history as a rockabilly guy from the days of Levi and the Rockats, a glimpse of which could be gotten by scrutinizing the triptych of dusty warped black-and-white photos in plastic frames that hung on the wall by his desk at the shop. Though taken from below stage level so he appeared to be fifteen feet tall and 50 percent nostril, you could still recognize him: the young Ted, his big greasy blond hair swooping into his face, his skinny body curled like a question mark over his guitar, looking handsome and arrogant, sporting a curled-lip sneer that spoke of meth and moonshine. This was Dad’s real passion. He put a lot of time into perfecting the authentic fifties outfits he wore when his band, the Cheaterslicks, played. Even now he was very pleased when girls under forty got crushes on him and was proud when they sometimes said he looked like Brian Setzer. (Though the older ones more often referenced the mature Conway Twitty, which was also fine, but he liked it less.)

Ted was quite the talker. It didn’t take much to launch him into a monologue so impenetrable...

Details zur Ausgabe

• Verlag: Villard Books
• Erscheinungsdatum: 2006
• Sprache: Englisch
• ISBN 10: 140006483X
• ISBN 13: 9781400064830
• Einband: Gebundene Ausgabe
• Auflage: 1
• Anzahl der Seiten: 256
• Kontakt zum Hersteller: Nicht verfügbar
• Verantwortliche Person: Nicht verfügbar