Mix Cellini has just moved into a flat in a decaying house in Nottinghill, where he plans to pursue his two abiding passions--supermodel Nerissa Nash, whom he worships from afar, and the life of serial killer Reggie Christie, hanged fifty years earlier for murdering at least eight women. Gwendolen Chawcer, Mix's eighty-year-old landlady, has few interests besides her old books and her new tenant. But she does have an intriguing connection to Christie. And when reality intrudes into Mix's life, he turns to Christie for inspiration and a long pent-up violence explodes. Intricately plotted and brilliantly written, 13 Steps Down enters the minds of these disparate people as they move inexorably toward its breathtaking conclusion.
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Ruth Rendell has won numerous awards, including three Edgars, the highest accolade from Mystery Writers of America, and three Gold Daggers, one Silver Dagger, and a Diamond Dagger for outstanding contribution to the genre from England's prestigious Crime Writer's Association. She lives in London.
From the multi-award-winning author of The Babes in the Wood and The Rottweiler, a chilling new novel about obsession, superstition, and violence, set in Rendell's darkly atmospheric London.
Mix Cellini (which he pronounces with an 'S' rather than a 'C') is superstitious about the number 13. In musty old St. Blaise House, where he is the lodger, there are thirteen steps down to the landing
below his rooms, which he keeps spick and span. His elderly landlady, Gwendolen Chawcer, was born in St. Blaise House, and lives her life almost exclusively through her library of books, so cannot see the decay and neglect around her.
The Notting Hill neighbourhood has changed radically over the last fifty years, and 10 Rillington Place, where the notorious John Christie committed a series of foul murders, has been torn down.
Mix is obsessed with the life of Christie and his small library is composed entirely of books on the subject. He has also developed a passion for a beautiful model who lives nearby -- a woman who would not look at him twice.
Both landlady and lodger inhabit weird worlds of their own. But when reality intrudes into Mix's life, a long pent-up violence explodes.
Chapter 1
Mix was standing where the street should have been. Or where he thought it should have been. By this time shock and disbelief were past. Bitter disappointment, then rage, filled his body and climbed into his throat, half choking him. How dared they? How could they, whoever they were, destroy what should have been a national monument? The house itself should have been a museum, one of those blue plaques high up on its wall, the garden, lovingly preserved just as it was, part of a tour visiting parties could have made. If they had wanted a curator they need have looked no further than him.
Everything was new, carefully and soullessly designed. 'Soulless' - that was the word and he was proud of himself for thinking it up. The place was pretty, he thought in disgust, typical yuppie-land building. The petunias in the flowerbeds particularly enraged him. Of course he knew that some time back before he was born they had changed the name from Rillington Place to Ruston Close but now there wasn't even a Ruston Close any more. He had brought an old map with him but it was useless, harder to find the old streets than searching for the child's features in the fifty-year-old face. Fifty years was right. It would be half a century since Reggie was caught and hanged. If they had to rename the streets, surely they could have put up a sign somewhere which said, Formerly Rillington Place. Or something to tell visitors they were in Reggie country. Hundreds must come here, some of them expectant and deeply disappointed, others knowing nothing of the place's history, all of them encountering this smart little enclave of red brick and raised flowerbeds, geraniums and busy lizzies spilling out of window-boxes, and trees chosen for their golden and creamy white foliage.
It was midsummer and a fine day, the sky a cloudless blue. The little grass plots were a bright and lush green, a pink climbing plant draping a rosy cloak over walls cunningly constructed on varying levels. Mix turned away, the choking anger making his heart beat faster and more loudly, thud, thud, thud. If he had known everything had been eradicated, he would never have considered the flat in St Blaise House. He had come to this corner of Notting Hill solely because it had been Reggie's district. Of course he had known the house itself was gone and its neighbours too but still he had been confident the place would be easily recognisable, a street shunned by the fainthearted, frequented by intelligent enthusiasts like himself. But the feeble, the squeamish, the politically correct had had their way and torn it all down. They would have been laughing at the likes of him, he thought, and triumphant at replacing history with a tasteless housing estate.
The visit itself he had been saving up as a treat for when he was settled in. A treat! How often, when he was a child, had a promised treat turned into a let-down? Too often, he seemed to remember, and it didn't stop when one was grown-up and a responsible person. Still, he wasn't moving again, not after paying Ed and his mate to paint the place and refit the kitchen. He turned his back on the pretty little new houses, the trees and flowerbeds, and walked slowly up Oxford Gardens and across Ladbroke Grove to view the house where Reggie's first victim had had a room. At least that wasn't changed. By the look of it, no one had painted it since the woman's death in 1943. No one seemed to know which room it had been, there were no details in any of the books he'd read. He gazed at the windows, speculating and making guesses, until someone looked out at him and he thought he'd better move on.
St Blaise Avenue was quite up-market where it crossed Oxford Gardens, tree-lined with ornamental cherries, but the further he walked downhill it too went down until it was all sixties local authority housing, dry cleaners and motorcycle spare parts places and corner shops. All except for the terrace on the other
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