Post-Impressionism to World War II is an exciting anthology of the best art history writings of the Post-Impressionist period.
Several key essays by critics including Benjamin, Greenberg and Bürger knit together primary sources and classic, "canonical" criticism.
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Debbie Lewer is Lecturer in Art History at the University of Glasgow. She has published essays in Dada Zurich: A Clown’s Game from Nothing (edited by B. Pichon and K. Rihs, 1996) and Printed Matters: Printing, Publishing and Urban Culture in the Modern Period, (edited by M. Gee and T. Kirk, 2000).
Post-Impressionism to World War II is an exciting anthology of writings by artists, critics, and historians. The texts include primary sources from the 1880s to the eve of war in the late 1930s, knitted together with classic analyses from critics such as Benjamin, Greenberg, and Bürger. The volume also includes more recent critical interventions from a range of methodological perspectives, both well-known and less familiar. Introductory essays explore the key themes raised by the texts. The result is a vivid chronicle of avant-garde practice in Europe during an especially creative, and volatile, period of history.
Post-Impressionism to World War II is an exciting anthology of writings by artists, critics, and historians. The texts include primary sources from the 1880s to the eve of war in the late 1930s, knitted together with classic analyses from critics such as Benjamin, Greenberg, and Bürger. The volume also includes more recent critical interventions from a range of methodological perspectives, both well-known and less familiar. Introductory essays explore the key themes raised by the texts. The result is a vivid chronicle of avant-garde practice in Europe during an especially creative, and volatile, period of history.
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Zustand: New. Post-Impressionism to World War II is an exciting anthology of the best art history writings of the Post-Impressionist period. Several key essays by critics including Benjamin, Greenberg and Burger knit together primary sources and classic, "canonical" criticism. Editor(s): Lewer, Debbie. Series: Blackwell Anthologies in Art History S. Num Pages: 432 pages, 8. BIC Classification: ACVT; ACX. Category: (P) Professional & Vocational. Dimension: 254 x 177 x 28. Weight in Grams: 878. . 2005. 1st Edition. Hardcover. . . . . Bestandsnummer des Verkäufers V9781405111539
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Hardcover. Zustand: new. Hardcover. Post-Impressionism to World War II is an exciting anthology of the best art history writings of the Post-Impressionist period. Several key essays by critics including Benjamin, Greenberg and Buerger knit together primary sources and classic, canonical criticism. Collects the most important writings on art history from Post-Impressionism to the mid-20th century, covering both canonical and contemporary perspectives Offers a chronicle of avant-garde practice during an especially creative, if volatile, period of history Features several key essays by critics including Benjamin, Greenberg and Buerger Includes recent critical interventions from a range of methodological perspectives both well-known and less familiar Organizes material thematically, and features introductory essays to each of the five sections Provides a valuable, stimulating resource for students and teachers alike and offers new ways to think about and teach this important period in art history. Post-Impressionism to World War II is an exciting anthology of the best art history writings of the Post-Impressionist period. Several key essays by critics including Benjamin, Greenberg and Burger knit together primary sources and classic, "canonical" criticism. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9781405111539
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Zustand: New. Post-Impressionism to World War II is an exciting anthology of the best art history writings of the Post-Impressionist period. Several key essays by critics including Benjamin, Greenberg and Burger knit together primary sources and classic, "canonical" criticism. Editor(s): Lewer, Debbie. Series: Blackwell Anthologies in Art History S. Num Pages: 432 pages, 8. BIC Classification: ACVT; ACX. Category: (P) Professional & Vocational. Dimension: 254 x 177 x 28. Weight in Grams: 878. . 2005. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9781405111539
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