Crowd and Rumour in Shakespeare (Studies in Performance and Early Modern Drama)

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9781409432197: Crowd and Rumour in Shakespeare (Studies in Performance and Early Modern Drama)

In this study, the author offers new interpretations of Shakespeare's works in the context of two major contemporary notions of collectivity: the crowd and rumour. The plays illustrate that rumour and crowd are mutually dependent; they also betray a fascination with the fact that crowd and rumour make individuality disappear. Shakespeare dramatizes these mechanisms, relating the crowd to class conflict, to rhetoric, to the theatre and to the organization of the state; and linking rumour to fear, to fame and to philosophical doubt. Paying attention to all levels of collectivity, Wiegandt emphasizes the close relationship between the crowd onstage and the Elizabethan audience. He argues that there was a significant - and sometimes precarious - metatheatrical blurring between the crowd on the stage and the crowd around the stage in performances of crowd scenes. The book's focus on crowd and rumour provides fresh insights on the central problems of some of Shakespeare's most contentiously debated plays, and offers an alternative to the dominant tradition of celebrating Shakespeare as the origin of modern individualism.

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About the Author:

Kai Wiegandt is assistant professor of English Literature at Freie Universität Berlin, Germany.

Review:

'Through careful and persuasive readings, Wiegandt demonstrates the importance of attending to the collective and plural, rather than the individual and singular, in Shakespeare's plays. Theoretically sophisticated and insightful in its analysis, this study makes an important contribution to our understanding of Shakespearean multiplicity.' --Ian Munro, University of California - Irvine, USA

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Buchbeschreibung Taylor Francis Ltd, United Kingdom, 2012. Hardback. Buchzustand: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. In this study, the author offers new interpretations of Shakespeare s works in the context of two major contemporary notions of collectivity: the crowd and rumour. The plays illustrate that rumour and crowd are mutually dependent; they also betray a fascination with the fact that crowd and rumour make individuality disappear. Shakespeare dramatizes these mechanisms, relating the crowd to class conflict, to rhetoric, to the theatre and to the organization of the state; and linking rumour to fear, to fame and to philosophical doubt. Paying attention to all levels of collectivity, Wiegandt emphasizes the close relationship between the crowd onstage and the Elizabethan audience. He argues that there was a significant - and sometimes precarious - metatheatrical blurring between the crowd on the stage and the crowd around the stage in performances of crowd scenes. The book s focus on crowd and rumour provides fresh insights on the central problems of some of Shakespeare s most contentiously debated plays, and offers an alternative to the dominant tradition of celebrating Shakespeare as the origin of modern individualism. Buchnummer des Verkäufers BTE9781409432197

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Buchbeschreibung Routledge, 2012. Hardback. Buchzustand: NEW. 9781409432197 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Buchnummer des Verkäufers HTANDREE01012138

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Buchbeschreibung Taylor Francis Ltd, United Kingdom, 2012. Hardback. Buchzustand: New. Language: English . Brand New Book ***** Print on Demand *****. In this study, the author offers new interpretations of Shakespeare s works in the context of two major contemporary notions of collectivity: the crowd and rumour. The plays illustrate that rumour and crowd are mutually dependent; they also betray a fascination with the fact that crowd and rumour make individuality disappear. Shakespeare dramatizes these mechanisms, relating the crowd to class conflict, to rhetoric, to the theatre and to the organization of the state; and linking rumour to fear, to fame and to philosophical doubt. Paying attention to all levels of collectivity, Wiegandt emphasizes the close relationship between the crowd onstage and the Elizabethan audience. He argues that there was a significant - and sometimes precarious - metatheatrical blurring between the crowd on the stage and the crowd around the stage in performances of crowd scenes. The book s focus on crowd and rumour provides fresh insights on the central problems of some of Shakespeare s most contentiously debated plays, and offers an alternative to the dominant tradition of celebrating Shakespeare as the origin of modern individualism. Buchnummer des Verkäufers APC9781409432197

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Buchbeschreibung Taylor Francis Ltd, United Kingdom, 2012. Hardback. Buchzustand: New. Language: English . Brand New Book ***** Print on Demand *****.In this study, the author offers new interpretations of Shakespeare s works in the context of two major contemporary notions of collectivity: the crowd and rumour. The plays illustrate that rumour and crowd are mutually dependent; they also betray a fascination with the fact that crowd and rumour make individuality disappear. Shakespeare dramatizes these mechanisms, relating the crowd to class conflict, to rhetoric, to the theatre and to the organization of the state; and linking rumour to fear, to fame and to philosophical doubt. Paying attention to all levels of collectivity, Wiegandt emphasizes the close relationship between the crowd onstage and the Elizabethan audience. He argues that there was a significant - and sometimes precarious - metatheatrical blurring between the crowd on the stage and the crowd around the stage in performances of crowd scenes. The book s focus on crowd and rumour provides fresh insights on the central problems of some of Shakespeare s most contentiously debated plays, and offers an alternative to the dominant tradition of celebrating Shakespeare as the origin of modern individualism. Buchnummer des Verkäufers APC9781409432197

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Buchbeschreibung Ashgate Publishing Company. Hardcover. Buchzustand: New. Hardcover. 225 pages. Dimensions: 9.3in. x 6.1in. x 1.0in.In this study, the author offers new interpretations of Shakespeares works in the context of two major contemporary notions of collectivity: the crowd and rumour. The plays illustrate that rumour and crowd are mutually dependent; they also betray a fascination with the fact that crowd and rumour make individuality disappear. Shakespeare dramatizes these mechanisms, relating the crowd to class conflict, to rhetoric, to the theatre and to the organization of the state; and linking rumour to fear, to fame and to philosophical doubt. Paying attention to all levels of collectivity, Wiegandt emphasizes the close relationship between the crowd onstage and the Elizabethan audience. He argues that there was a significant - and sometimes precarious - metatheatrical blurring between the crowd on the stage and the crowd around the stage in performances of crowd scenes. The books focus on crowd and rumour provides fresh insights on the central problems of some of Shakespeares most contentiously debated plays, and offers an alternative to the dominant tradition of celebrating Shakespeare as the origin of modern individualism. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Buchnummer des Verkäufers 9781409432197

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