Brothers: On His Brothers and Brothers in History - Hardcover

Colt, George Howe

Hardcover

ISBN 10: 1416547770 ISBN 13: 9781416547778

Verlag: Scribner, 2012

Inhaltsangabe

From the bestselling National Book Award finalist, a masterful blend of history and memoir featuring the author’s four brothers and iconic brothers in history—the Thoreaus, the Van Goghs, the Kelloggs, the Marx brothers, and the Booths.

George Howe Colt's The Big House is, as the New Yorker said, “full of surprises and contains more than seems possible: a family memoir, a brief history of the Cape, an investigation of nostalgia, a study of class, and a meditation on the privileges and burdens of the past.” Colt’s new book, Brothers, is an equally idiosyncratic and masterful blend of memoir and history featuring both the author’s three brothers and iconic brothers in history—the Booths, the Van Goghs, the Kelloggs, the Marx Brothers, and the Thoreaus.

Colt believes he would be a different man had he not grown up in a family of four brothers. He movingly recounts the adoration, envy, affection, resentment, and compassion in their shifting relationships from childhood through middle age, also rendering a volatile decade in American life: the 1960s. Some of the Colt men now have children; all have found their own paths; all now consider their brothers to be their closest friends.

In alternate chapters, Colt parallels his quest to understand how his own brothers shaped his life with an examination of the rich and complex relationships between iconic brothers in history. He explores how Edwin Booth grew up to become the greatest actor on the nineteenth-century American stage while his younger brother John grew up to assassinate a president. How Will Kellogg worked for his overbearing older brother John Harvey as a subservient yes-man for two decades until he finally broke free and launched the cereal empire that outlasted all his brother’s enterprises. How Vincent van Gogh would never have survived without the financial and emotional support of his younger brother, Theo, in a claustrophobic relationship that both defined and confined them. How Henry David Thoreau’s life was shadowed by the early death of his older brother, John, who haunted and inspired his writing. And how the Marx Brothers collaborated on the screen but competed offstage for women, money, and fame.

Illuminating and affecting, this book will be revelatory for any parent of sons, any sibling, anyone curious about how a man’s life can be molded by his brothers. Colt’s magnificent book is a testament to the abiding power of fraternal love.

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Über die Autorin bzw. den Autor

George Howe Colt is the bestselling author of The Big House, which was a National Book Award finalist and a New York Times Notable Book of the Year; Brothers; November of the Soul; and The Game. He lives in Western Massachusetts with his wife, the writer Anne Fadiman.

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Brothers

Chapter One

The Colt Boys

If the handful of black-and-white snapshots that remain from my childhood is any indication, it’s a wonder I didn’t end up with a permanent crick in my neck from literally and figuratively looking up to my older brother. Harry was born twenty months before me, and I worshiped him with an intensity that must have been both flattering and bewildering to the worshipee. I didn’t want to be like Harry; I wanted to be Harry. I cocked my coonskin cap exactly the way he did when we played Daniel Boone; I made the same pshew-pshew sounds he did when I pulled the trigger on my silver plastic six-shooter; I punched the pocket of my baseball glove every time he punched his. When he woke me in the middle of the night one Christmas Eve and invited me downstairs to open presents while our parents slept, I followed. When he said he could help me get rid of my loose tooth, I let him tie it to the playroom doorknob and slam the door. He was my older brother and I would have agreed to anything he proposed; I would have followed him anywhere. And so, one spring evening not long before I turned six, as we lay in our matching twin beds, when Harry suggested that we run away from home, I said yes.

The following morning before dawn, I woke to find him standing next to my bed in his pajamas, clutching to his chest the gray metal strongbox in which he kept his baseball cards. I tiptoed behind him down the back stairs, through the kitchen, and into the garage. Harry opened the front door to the old blue Ford, climbed in, and shimmied over to the driver’s seat. I scrambled up next to him. We sat awhile in silence before he unlocked the strongbox and offered me some of the saltines with which he had filled it the night before. (To make room, he had left behind all but his most precious Red Sox cards.) We chewed our crackers and stared through the windshield at the closed garage door. I don’t remember what we said, or indeed whether we said anything at all. I don’t remember wondering where, if anywhere, we were going, or how far we could get in our pajamas, or what we would eat when the saltines ran out. I certainly didn’t ask my brother. Because I believed Harry could do anything, I wouldn’t have been surprised if the car had somehow started, the garage door had opened, and we’d sailed off down Village Avenue, our quiet, tree-lined street in suburban Boston, and into the sky.

*  *  *

It never occurred to me to ask my brother why we were running away. Ours was not the kind of home from which most people would have thought it necessary, or even advisable, to run away. We lived in a comfy old brown house equipped with a corrugated cardboard fort big enough to stand up in; enough wooden blocks to construct several castles simultaneously; a banister to speed our journey from the second floor to the first; and a bathroom in which every fixture—sink, toilet, and tub—was jet-black, a color scheme so unusual that neighborhood kids were always knocking on our door, asking to use the facilities. We had a backyard big enough for games of catch and a sprinkler to run through on hot summer days. Beyond our fence lay a world that seemed designed for a six-year-old boy: houses close together to maximize candy collection on Halloween; enough kids within shouting distance to field a baseball team; sidewalks that could get our bikes every place worth getting to, their curbs so eroded by generations of Raleighs and Schwinns that we didn’t have to dismount when crossing a street; and a huge chestnut tree that provided ammunition for fights, pretend money for card games, and the sheer pleasure of peeling off the rubbery, lime-green skin to uncover the nut within, shiny and polished as a violin.

Best of all, within a stone’s throw of our house—if Harry was doing the throwing—there were three places that made our otherwise tame neighborhood seem as thrilling as the wilderness depicted on any explorer’s map. Four houses to the east lay the Norfolk County Jail, an ivy-covered granite hulk in which, our mother told us, two prisoners with Italian names I could never remember had been imprisoned before being sent to the electric chair in 1927, an event whose macabre allure still lingered in the air as I hurried past on my way to the library thirty-five years later. (I could never understand why bad guys were always “sent” to the electric chair, which made it sound as if the post office were somehow involved and begged the all-important question of what happened after they reached their destination.) Across the street from the jail lay the graveyard, where we played freeze tag, hide-and-seek, and war, taking care not to step on the bulges in front of the lichen-embossed headstones, bulges we assumed were the bellies of the dead. A block to the south of us, the tidy lawns gave way to a morass of vines and skunk cabbage we called the swamp, an outpost of botanical anarchy that in well-manicured Dedham seemed as exotic as the Black Lagoon from which the proverbial Creature emerged, and in whose tea-colored water we’d wade in search of smaller but equally slimy creatures. These three landmarks allowed us to believe that we lived in a dangerous world, a world in which an escaped convict, a vengeful ghost, or a hideous monster might appear at any moment. I remember watching Swiss Family Robinson and being impressed that the island on which they had shipwrecked somehow encompassed mountains, waterfalls, beaches, caves, lakes, and quicksand (a wealth of natural wonders ecologically unlikely to be found in one place, I later realized). With its prison, its graveyard, and its swamp—which, I felt sure, contained at least a dollop of quicksand—our neighborhood had been no less blessed.

Even without these attractions, I wouldn’t have been inclined to run away from home. Dedham was the first place my family had lived long enough to call home. Our father was a businessman, and whenever he was promoted, we moved to a new town. (In those days, you went where the company sent you or you wouldn’t be with the company for long.) Before Dedham, we had lived in Pittsburgh, El Paso, and Philadelphia—three different places in five years. We had been in Dedham for more than two years, the longest we had ever spent in one place, and I assumed we would be there forever. Dad built us a sandbox and installed a swing set. He and Mum spent Sunday afternoons on their hands and knees, putting in a brick patio. They planted a dogwood tree and a bed of pachysandra. For the first time, our family, too, seemed to be putting down roots.

Nor were our mother and father the type of parents one ran away from. Mum did all the things mothers in the fifties were supposed to do, but she did them a little differently. She made us peanut-butter-and-jelly sandwiches but cut them into triangles and trapezoids we reassembled like puzzle pieces before eating. She read aloud from Mother Goose and Dr. Seuss—and Oscar Wilde. She drew stick figures and animals with us, as well as squiggles we had to turn into pictures. Or she’d draw a face without letting us see it, fold the paper, then pass it to one of us, who’d draw a torso and arms. That person would fold the paper and pass it to the next brother, who would draw the legs. And so on. We’d unfold the paper to find a goofy-looking, cobbled-together character that made us howl with laughter. She sang us songs about fathers buying mockingbirds and children selling shoes to barefooted angels, as well as songs about coal miners striking, southern women done wrong by their men, calves on their way to the slaughterhouse, young lords poisoned by their...

Details zur Ausgabe

• Verlag: Scribner
• Erscheinungsdatum: 2012
• Sprache: Englisch
• ISBN 10: 1416547770
• ISBN 13: 9781416547778
• Einband: Gebundene Ausgabe
• Anzahl der Seiten: 480
• Kontakt zum Hersteller: Nicht verfügbar
• Verantwortliche Person: Nicht verfügbar