A Handful of Kings: A Novel - Softcover

Jacobs, Mark

Softcover

ISBN 10: 141656814X ISBN 13: 9781416568148

Verlag: Simon & Schuster, 2007

Inhaltsangabe

With explosive tension and masterful suspense, A Handful of Kings is a page-turning thriller about what really happens in the world of espionage, by an insider who has lived it.

American diplomat Vicky Sorrell learns the hard way that all is fair in love -- and espionage. A Handful of Kings, the latest novel by prolific author and former foreign service officer Mark Jacobs, follows Vicky's fast-paced tour of duty -- one where she must decide who the bad guys are, who is lying, and who just might be telling the dangerous truth.

Vicky is changing her life. She is leaving the foreign service and her lover at the same time. But before she departs the U.S. embassy in Madrid for home, a well-known American writer shows up with a strange request. Vicky knows that what the writer wants from her is not necessarily what he is asking. But curiosity leads her to play along, and she is quickly drawn into the murky underground of terrorists and spies into which the writer himself has been reluctantly led. The track she takes is full of wrong turns. And at the end of the tunnel, it's not light she sees but an unspeakable threat to people she loves.

Recalling Graham Greene in The Comedians, Jacobs weaves an engrossing story that takes place over three continents and illuminates the unexpected ways people betray and defend one another and, ultimately, how they learn to love.

Über diesen Titel

Über die Autorin bzw. den Autor

Mark Jacobs is a former foreign service officer who served as cultural attaché and information officer in Spain, Turkey, and several posts in Latin America. He has published three previous books and more than sixty short stories in a range of literary and commercial magazines.

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Chapter 1

An American woman of thirty-three, standing on a very old black iron balcony in a very old Spanish village at night, was supposed to get a serenade, not a tirade. Vicky Sorrell got a tirade. The moon was bright. Night-blooming jasmine on a trellis in the garden below shot up sticks of sweet fragrance in her direction. One street away, a restless dog yapped. It was late. Inside the Claustro Cobalto, everybody was asleep. And below her in the cobbled plaza, totally pissed, Wyatt Willis ragged on her in a voice bigger than he was.

"Goddamn it, Vicky, this is your fault," he shouted up at her. He waited a moment, appreciating the echo of the shout he had loosed in the plaza. Then for some reason he repeated his accusation in Spanish. "Tú tienes la culpa."

"Shut up, Wyatt. You'll wake up everybody in the neighborhood." She wondered why she was shouting, too, and why shouting felt so good.

The Claustro Cobalto took up the north end of the plaza. Wyatt yelled something outrageous and insightful linking constant love with constant betrayal, and a light was switched on behind a shutter in a low, dark house in the middle of the south end. He went on for a couple of minutes, then stopped and struggled to come up with the Spanish equivalent. It was a paraphrase, but when he got there his string of accusations sounded even better in Spanish, which was known for its iron categories describing sin and guilt and individual responsibility.

A second light went on inside the bedroom of a house on the little plaza's eastern edge. Vicky and Wyatt were making a scene. They were diplomats. Diplomats were not supposed to cut loose in public -- being discreet was one of the rules of the profession. Vicky was tired of obeying the rules of her profession. Wyatt wasn't tired of the rules, he was just drunk. And angrier at her than she had believed it was possible for him to be. In the year and a half that they had been together, she had never heard him shout before. She could not help feeling a sense of accomplishment at being the cause of his explosion.

"Victoria Sorrell," he hollered, "You tricked me! You made me come here!"

"Here" was a bright white town in a cove on the western nub of the Costa de la Luz. Sor Epi was heavy with history. According to legend, for a brief period at the end of the fifteenth century, paving stones bled in the village, gulls became doves, cooking pots sang, horses grew wings, and the hands of women making love with stone-hearted men turned into flames.

But Vicky was not in the mood to carry the load of grief Wyatt was trying to unload on her. "You're drunk." She pointed out the obvious to him, more loudly than was strictly necessary, to get his attention. "You'll say anything as long as it makes me feel bad and you feel good. Go away. I don't want to talk to you anymore, Wyatt, do you hear me?"

How could he not hear her? If he hadn't provoked her, she would not have put so many decibels behind it.

More lights were being turned on around the plaza. She heard sleepy voices muttering and wooden shutters sliding in wooden casements. Drunk as he was, Wyatt noticed, too, that between them they had woken everybody who lived on the Plaza de la Suprema Visión. "Tú tienes la culpa," he hollered again. As long as they were all awake, he wanted people to know it was her fault, Victoria Sorrell's, the cultural attaché from the American embassy in Madrid. Not his.

"Damned drunk Americans." Vicky heard a man pronounce the sentence. He was leaning out of the window in the front room of his house. In the moonlight his white pajamas took on a spectral sheen. He lit a cigarette. After the match flared, smoke hung like small weather above his head, and he coughed his disapproval.

Behind him in the high, narrow window, his wife finished his sentence for him. "Think they own the world."

Two or three doors down from them, somebody amplified what the wife said, adding his own opinion, and everybody within earshot laughed.

Wyatt loved having an audience. He was a born performer. That was one of the reasons he was so good at his job. Consular officers had to connect with the visa applicants they interviewed even while separated from them by bulletproof glass. The good ones understood public relations as well as they understood consular law. Wyatt Willis was one of the good ones, a one-man refutation of the image of the heartless foreign service officer. But he was used to working on a small stage. Having a whole plaza as his theater went to his head.

Ignoring the sleepers he had woken and playing to them at the same time, he backed his way to the center of the plaza, jumped onto the iron bench that went around the stone fountain, then slipped and almost fell into the pool of water. A few people clapped, not because they wanted to see the American diplomat fall and make a fool of himself, but because Sor Epi was a village, after all, and entertainment was entertainment, and a live-wire walk was better than television any day. Even those who didn't care for the show seemed tolerant of the interruption of their sleep.

Wyatt steadied himself and told anybody who wanted to listen, "It's her fault."

"What's her fault?" Someone helped him along.

"She invited me to come with her to Sor Epi just so she could tell me she was tired of me. We live in Madrid. You know, Madrid, la capitál de España? Don Quixote slept there. But this one" -- he shook his head, aiming an accusatory finger at Vicky on the black balcony -- "this one was afraid to tell me the truth in Madrid. The truth is, she's leaving me. Is that fair? Of course it's not fair. Not after..." But then he lost his train of thought.

"An intelligent woman," said one man. From the balcony on the second floor of the pensión, Vicky couldn't see where he was, but she respected his point of view, his calm analytical perspective on her relationship with Wyatt.

"I'm being abandoned," Wyatt clarified for everyone.

"Why don't you say it straight?" said a woman. "She dumped you." She sounded like a person who knew all about being dumped.

"It's time for everybody to sleep," another woman decided, less charitable than her neighbors, or less curious. "Even the drunks. Even American drunks."

But Wyatt wasn't willing to give up either his audience or his rearguard action to keep Vicky from leaving him. Jumping down from the bench he wobbled a little, then made a slow, crazy-legs circuit around the plaza like a dancer who didn't know much about choreography; he had the moves, but nowhere to put them. As he circled he went on ragging. He must have realized it didn't matter much if most of what he said to her came out in English. His Spanish was unraveling, but no one had any difficulty following his end of the story.

Vicky's Spanish, by contrast, stayed impeccable under stress. Even the difficult tenses came out correctly, and she had all the vocabulary the situation called for. She knew she had to play her part in Wyatt's public spectacle with conviction or everyone would be disappointed. And if they were disappointed she would lose their sympathy. As it was, it seemed to her that the population around the Plaza of the Supreme Vision -- they were all awake by now, including little children -- had roughly divided their sympathy between jilter and jilted. It was impossible to say for sure, but there seemed to be no gender bias in the breakdown. Some of the men were clearly taking Vicky's side, while a handful of the women made clucking noises of solidarity every time Wyatt stopped to breathe.

Vicky wasn't sure why she cared to have their sympathy, except that Wyatt had made it a contest, and she didn't like to lose contests.

"I'm coming up," he warned her when the play...

Details zur Ausgabe

• Verlag: Simon & Schuster
• Erscheinungsdatum: 2007
• Sprache: Englisch
• ISBN 10: 141656814X
• ISBN 13: 9781416568148
• Einband: Taschenbuch
• Anzahl der Seiten: 288
• Kontakt zum Hersteller: Nicht verfügbar
• Verantwortliche Person: Simon and Schuster Netherlands BV; info@simonandschuster.nl; ; Herculesplein 96; Utrecht; 3584 AA; Niederlande