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Almost Home: A Novel - Softcover

Buch 1 von 2: Jordan Weiss

Jenoff, Pam

 
9781416590705: Almost Home: A Novel

Inhaltsangabe

New York Times Bestselling Author of The Diplomat’s Wife

A thrilling novel of suspense about a woman who must face a past she’d rather forget in order to uncover a dangerous legacy that threatens her future.

Ten years ago, U.S. State Department intelligence officer Jordan Weiss’s idyllic experience as a graduate student at Cambridge was shattered when her boyfriend Jared drowned in the River Cam. She swore she’d never go back—until a terminally ill friend asks her to return. Jordan attempts to settle into her new life, taking on an urgent mission beside rakish agent Sebastian Hodges. Just when she thinks there’s hope for a fresh start, a former college classmate tells her that Jared’s death was not an accident—he was murdered.

Jordan quickly learns that Jared’s research into World War II had uncovered a shameful secret, but powerful forces with everything to lose will stop at nothing to keep the past buried. Soon, Jordan finds herself in grave peril as she struggles to find the answers that lie treacherously close to home, the truth that threatens to change her life forever, and the love that makes it all worth fighting for. Fast-paced and impossible to put down, Almost Home establishes Pam Jenoff as one of the best new writers in the genre.

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Über die Autorin bzw. den Autor

Pam Jenoff is the author of several novels, including the international bestseller The Kommandant's Girl, which also earned her a Quill Award nomination. Pam lives with her husband and three children near Philadelphia where, in addition to writing, she teaches law school.

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Almost Home

chapter ONE



I BARREL THROUGH THE double doors and across the lobby of the State Department, bypassing the metal detector and waving my plastic identification badge at the guard, who nods in recognition. My heels echo off the marble floor as I race down the corridor past the row of brightly colored flags, the tall glass windows revealing smokers huddled under umbrellas in the courtyard. A display of student artwork left over from Black History Month decorates the otherwise drab white walls.

I reach the elevators and press the up button. In an office across the hall, two jacketless, gray-haired men wearing identical brown ties lean over a cubicle divider discussing Cuba, their voices dispassionate and unhurried. A dying fluorescent lightbulb flickers angrily in the ceiling fixture above them. I turn back and press the button several more times, tapping my foot. The smell of scorched coffee, an empty pot left too long on the burner, hangs in the air. The door creaks open and I leap into the elevator, swiping my badge in front of the access scanner before pressing the button. Don’t stop, I pray, leaning sideways against the faux wood paneling and watching the numbers light up as the elevator slowly rises.

A minute later, the door opens. I step out, then pause, momentarily forgetting my haste. August and imposing, the executive floor is worlds away from the bureaucratic lethargy below. Oil paintings of every secretary of state since Jefferson line the tastefully lit beige walls, staring down at me sternly, reminding me to stand straight. Large potted plants sit to either side of the elevator bank.

Steeling myself for the conversation I am about to have, I turn away from the closed double doors that lead to the Secretary’s office, following the chronological progression of gold-framed portraits down the navy-carpeted hallway. At John Calhoun, I stop and adjust my collar before turning the knob of a familiar, broad oak door.

“Hello, Patty,” I say, entering the office and passing through the reception area before the stout, auburn-haired secretary can try to stop me. I knock twice on an unmarked door at the far end of the room, then open it without waiting.

“I want London,” I announce.

Behind the massive oak desk, Paul Van Antwerpen looks up from the cable he was reading and blinks once behind his glasses.

“Oh?” he replies, raising his eyebrows and running his hand through his thinning hair.

I hesitate. For the normally impassive Van Antwerpen, this is quite a reaction. He is surprised, I can tell, by the abruptness of my entrance as well as the nature of my request. The senior director of intelligence operations is a formal man; one schedules appointments to see him and does so sparingly.

“Yes,” I croak at last.

He gestures with his head to the two chairs opposite his desk. “Sit down.”

I perch on the chair closest to the door. The office is immaculate as always, the desk bare except for a few tidy stacks of documents, the walls adorned only by the obligatory photographs of the President and Secretary of State. On the matching credenza behind his desk sits a telephone with direct lines to the Secretary and the National Security Advisor. Encrypted text, providing real-time updates on intelligence situations worldwide, scrolls down a computer screen.

I smooth my skirt. “Sir, I know we had an agreement…”

“Have an agreement,” he corrects. “One year.”

“Yes.” A year hadn’t sounded that bad when the Director proposed it. Of course I was in the hospital at the time, two days out of Liberia, ten hours out of surgery, and so high on painkillers I scarcely remember his visit. Now, eight months later, a year seems like an eternity, indentured servitude. Not that working for the Director is exactly punishment; as his liaison to the National Security Council, I’ve spent my days shuttling between meetings at Foggy Bottom and the White House. I’ve gained a view of foreign policy at the highest levels of government, and I’ve seen things most people could not imagine in a lifetime. But I have to get out of here now.

And he’s going to say no.

The Director, one of the only people who can still get away with smoking in the building, reaches for the humidor that sits on the far right corner of his desk. I fight the urge to grimace as he clips the end of a cigar and lights it.

“Don’t get me wrong,” he says at last, puffing a cloud of smoke away from me. “I didn’t really think I would be able to keep you here a full year. I’ve had five calls about you in the last month alone. Karachi, Jakarta, Montenegro, Lagos, Bogota, all of the garden spots.”

I smile inwardly. “Garden spots” is a facetious term diplomats used to describe the real hardship posts. Those are the most interesting assignments and until now, I always sought them out, proud to say I had never been stationed in a place where one could actually drink the tap water.

“And now you’re asking me,” he pauses, “for London…?” He sets the cigar in an empty glass ashtray behind one of the stacks, then pulls a file with my name typed across the top from his desk drawer. My stomach twitches. I didn’t know he kept a dossier on me. “You’ve turned down London two, no, three times before. You don’t even like changing planes there.” He sets the file down, eyes me levelly. “So what gives?”

I avert my gaze, staring over Van Antwerpen’s shoulder and out the window behind his desk. To the far left, I can just make out the Washington Monument in the distance, the pale stone obelisk muted against the gray sky. I swallow hard and shift in my seat. “It’s personal.”

I watch him hesitate, uncertain how to respond. Normally, such an explanation would be unacceptable. As intelligence officers, we are trained to separate our work and personal lives, almost to the point of forgoing the latter. But I’ve earned my stripes, spent nearly the past ten years putting my life on the line. He’ll feel that he owes me this much. He has to feel that way; I am counting on it.

“If you’d prefer, I can take a leave of absence…” I begin, but the Director waves his hand.

“No, they’d kill me if I let you do that. You can have London. Martindale,” he pronounces the name as though it hurts his throat, “will be glad to have you. She tried to steal you away from me months ago.”

I smile, picturing Maureen Martindale, the vivacious, red-haired deputy chief of mission in London and Van Antwerpen’s longtime rival. I haven’t seen Mo in three years, not since we worked together in San Salvador. My next move would have been to call her, if the Director refused my request. He closes the file. “We’re all set then. Just give me a few weeks to get the paperwork in order.”

I take a deep breath. “I’m sorry, sir, that won’t work. I need to get over there immediately. Tonight, if possible. Tomorrow at the latest.” I know that I am pushing the envelope, risking his wrath by asking too much. “I’ll buy my own plane ticket and use vacation time until the paperwork comes through. If it’s a question of my projects here, I’ll finish up remotely, help find my replacement…” The desperation in my voice grows.

Van Antwerpen is staring...

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