Inhaltsangabe
Many of the greatest works in the operatic repertoire bear the hallmarks of modernism.
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Über die Autorin bzw. den Autor
Richard Begam is a professor of English at the University of Wisconsin–Madison. He is the author of Samuel Beckett and the End of Modernity and the coeditor of Modernism and Colonialism: British and Irish Literature, 1899–1939. Matthew Wilson Smith is an associate professor of German studies and theater and performance studies at Stanford University. He is the author of The Total Work of Art: From Bayreuth to Cyberspace and the editor of Georg Büchner: The Major Works.
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Suchergebnisse für Modernism and Opera (Hopkins Studies in Modernism)
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Modernism and Opera
Verlag:
Johns Hopkins University Press, 2016
ISBN 10: 1421420627
ISBN 13: 9781421420622
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Zustand: New. This captivating book-the first of its kind-will appeal to scholars of literature, music, theater, and modernity as well as to sophisticated opera lovers everywhere. Editor(s): Begam, Richard; Smith, Matthew Wilson. Series: Hopkins Studies in Modernism. Num Pages: 392 pages, 32, 32 black & white line drawings. BIC Classification: AVGC6; AVGC9; DSBH. Category: (P) Professional & Vocational. Dimension: 164 x 324 x 32. Weight in Grams: 666. . 2016. hardcover. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers 9781421420622
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Modernism and Opera
Verlag:
Johns Hopkins University Press, 2016
ISBN 10: 1421420627
ISBN 13: 9781421420622
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Zustand: New. This captivating book-the first of its kind-will appeal to scholars of literature, music, theater, and modernity as well as to sophisticated opera lovers everywhere. Editor(s): Begam, Richard; Smith, Matthew Wilson. Series: Hopkins Studies in Modernism. Num Pages: 392 pages, 32, 32 black & white line drawings. BIC Classification: AVGC6; AVGC9; DSBH. Category: (P) Professional & Vocational. Dimension: 164 x 324 x 32. Weight in Grams: 666. . 2016. hardcover. . . . . Bestandsnummer des Verkäufers 9781421420622
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Modernism and Opera
Verlag:
Johns Hopkins University Press, 2016
ISBN 10: 1421420627
ISBN 13: 9781421420622
Neu
Hardcover
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Modernism and Opera (Hardcover)
Verlag:
Johns Hopkins University Press, Baltimore, MD, 2016
ISBN 10: 1421420627
ISBN 13: 9781421420622
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Hardcover. Zustand: new. Hardcover. At first glance, modernism and opera may seem like strange bedfellows-the former hostile to sentiment, the latter wearing its heart on its sleeve. And yet these apparent opposites attract: many operas are aesthetically avant-garde, politically subversive, and socially transgressive. From the proto-modernist strains of Richard Wagner's Parsifal through the twenty-first-century modernism of Kaija Saariaho's L'amour de loin, the duet between modernism and opera, at turns harmonious and dissonant, has been one of the central artistic events of modernity. Despite this centrality, scholars of modernist literature only rarely venture into opera, and music scholars generally return the favor by leaving literature to one side. But opera, that grand cauldron of the arts, demands that scholars, too, share the stage with one another. In Modernism and Opera, Richard Begam and Matthew Wilson Smith bring together musicologists, literary critics, and theater scholars for the first time in a mutual endeavor to trace certain key moments in the history of modernism and opera.This innovative volume includes essays from some of the most notable scholars in their fields and covers works as diverse as Debussy's Pelleas et Melisande, Bartok's Bluebeard's Castle, Berg's Wozzeck, Janacek's Makropulos Case, Thomson's Four Saints in Three Acts, Strauss's Arabella, Schoenberg's Moses und Aron, Stravinsky's The Rake's Progress, Britten's Gloriana, and Messiaen's Saint Francois d'Assise. A collaborative study of the ultimate collaborative art form, Modernism and Opera reveals how modernism and opera illuminate each other and, more generally, the culture of the twentieth century. It also addresses a number of issues crucial for understanding the relation between modernism and opera, focusing in particular on intermediality (how modernism integrates music, literature, and drama into opera) and anti-theatricality (how opera responds to modernism's apparent antipathy to theatricality). This captivating book-the first of its kind-will appeal to scholars of literature, music, theater, and modernity as well as to sophisticated opera lovers everywhere. This captivating book-the first of its kind-will appeal to scholars of literature, music, theater, and modernity as well as to sophisticated opera lovers everywhere. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781421420622
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Modernism and Opera
Verlag:
Johns Hopkins University Press, 2016
ISBN 10: 1421420627
ISBN 13: 9781421420622
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Modernism and Opera
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Zustand: New. This captivating book-the first of its kind-will appeal to scholars of literature, music, theater, and modernity as well as to sophisticated opera lovers everywhere.Über den AutorRichard Begam is a professor of English. Bestandsnummer des Verkäufers 595763817
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Modernism and Opera (Hardcover)
Verlag:
Johns Hopkins University Press, Baltimore, MD, 2016
ISBN 10: 1421420627
ISBN 13: 9781421420622
Neu
Hardcover
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Verkäuferbewertung 5 von 5 Sternen
Hardcover. Zustand: new. Hardcover. At first glance, modernism and opera may seem like strange bedfellows-the former hostile to sentiment, the latter wearing its heart on its sleeve. And yet these apparent opposites attract: many operas are aesthetically avant-garde, politically subversive, and socially transgressive. From the proto-modernist strains of Richard Wagner's Parsifal through the twenty-first-century modernism of Kaija Saariaho's L'amour de loin, the duet between modernism and opera, at turns harmonious and dissonant, has been one of the central artistic events of modernity. Despite this centrality, scholars of modernist literature only rarely venture into opera, and music scholars generally return the favor by leaving literature to one side. But opera, that grand cauldron of the arts, demands that scholars, too, share the stage with one another. In Modernism and Opera, Richard Begam and Matthew Wilson Smith bring together musicologists, literary critics, and theater scholars for the first time in a mutual endeavor to trace certain key moments in the history of modernism and opera.This innovative volume includes essays from some of the most notable scholars in their fields and covers works as diverse as Debussy's Pelleas et Melisande, Bartok's Bluebeard's Castle, Berg's Wozzeck, Janacek's Makropulos Case, Thomson's Four Saints in Three Acts, Strauss's Arabella, Schoenberg's Moses und Aron, Stravinsky's The Rake's Progress, Britten's Gloriana, and Messiaen's Saint Francois d'Assise. A collaborative study of the ultimate collaborative art form, Modernism and Opera reveals how modernism and opera illuminate each other and, more generally, the culture of the twentieth century. It also addresses a number of issues crucial for understanding the relation between modernism and opera, focusing in particular on intermediality (how modernism integrates music, literature, and drama into opera) and anti-theatricality (how opera responds to modernism's apparent antipathy to theatricality). This captivating book-the first of its kind-will appeal to scholars of literature, music, theater, and modernity as well as to sophisticated opera lovers everywhere. This captivating book-the first of its kind-will appeal to scholars of literature, music, theater, and modernity as well as to sophisticated opera lovers everywhere. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9781421420622
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