It had rained all night, one of the summer rains that, beginning in a thunder-storm in Washington, had continued in a steaming drizzle until morning. There were only four passengers in the sleeper, men all of them-two in adjoining sections in the middle of the car, a third in the drawing-room, a fourth an intermittent occupant of a berth at the end. They had gone to bed unaware of the estate or circumstance of their fellow-travellers, and had waked to find the train delayed by washouts, and side-tracked until more could be learned of the condition of the road. The man in the drawing-room shone, in the few glimpses that the others had of him, with an effulgence which was dazzling. His valet, the intermittent sleeper in the end berth, was a smug little soul, with a small nose which pointed to the stars. When the door of the compartment opened to admit breakfast there was the radiance of a brocade dressing-gown, the shine of a sleek head, the staccato of an imperious voice.
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Irene Temple Bailey, born on February 24, 1869, in Petersburg, Virginia, was a highly successful American novelist and short story writer. She began her career around 1902, contributing stories to renowned national magazines such as The Saturday Evening Post, Cavalier Magazine, Cosmopolitan, The American Magazine, Good Housekeeping, and McCall's. In 1914, she wrote the screenplay for the Vitagraph Studios film Auntie, and two of her novels were adapted into films. Bailey's literary success extended beyond magazine contributions; three of her books were on the list of bestselling novels in the United States in 1918, 1922, and 1926. Despite her success, Bailey never married. She passed away on July 6, 1953, at her apartment in Washington, D.C. Her obituary in The New York Post estimated that her novels had sold over three million copies, solidifying her status as one of the best-paid writers of her time. Cosmopolitan magazine had once paid her $325,000 for three serial novels and short stories, underscoring her immense success in the literary world.
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