Drawing and Engraving: A Brief Exposition of Technical Principles and Practice is a comprehensive guide to the techniques and principles of drawing and engraving, written by the renowned artist and art critic, Philip Gilbert Hamerton. The book is aimed at both beginners and experienced artists, providing a detailed overview of the technical aspects of these two art forms.The book begins with a discussion of the basic principles of drawing, including the use of line, tone, and perspective. Hamerton then goes on to explore the different materials and tools that can be used in drawing, such as pencils, charcoal, and ink.The second half of the book focuses on the art of engraving, including the various techniques and tools used in this process. Hamerton provides detailed instructions on how to prepare and engrave a plate, as well as how to print and finish the final product.Throughout the book, Hamerton provides numerous examples of his own work, as well as the work of other artists, to illustrate the techniques and principles he is discussing. He also includes a glossary of technical terms and a list of recommended reading for further study.Drawing and Engraving: A Brief Exposition of Technical Principles and Practice is a valuable resource for anyone interested in learning more about these two important art forms. Whether you are a beginner or an experienced artist, this book will provide you with the knowledge and skills you need to create beautiful drawings and engravings.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world’s literature in affordable, high quality, modern editions, that are true to their original work.
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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
The publishers of the Encyclopedia Britannica having thought that the articles in the ninth edition on Drawing and Engraving might be acceptable in a separate volume, I have revised them and made certain additions, whilst preserving the style and treatment originally adopted. There was very little choice about the method of treatment, as the subjects were vast and the space rigorously limited. I could only say what was most important and say even that laconically. The style of the papers had to be simply didactic. As a rule, I am unwilling to assume an authoritative tone, but may have as much right to it as anybody else, after giving the best part of forty years to the study of these or cognate subjects.
(Typographical errors above are due to OCR software and don't occur in the book.)
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Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org
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