"[The book] would be of interest to students of both Merleau-Ponty and Schelling for the clash of the titans aspect: it is fascinating to see how thinkers from such different starting-points and traditions end up standing so close to one another on these fundamental questions, and thought-provoking, too, to see where unresolvable differences remain." --
Notre Dame Philosophical Reviews "
The Barbarian Principle is an excellent contribution to the study of Schelling and Merleau-Ponty. For the Schelling scholar or student, it opens a new horizon for reconsidering Schelling's influence on twentieth-century continental philosophy in general, and phenomenology in particular (where much interest has been paid to Heidegger). For the Merleau-Ponty scholar or student, this volume demonstrates that Merleau-Ponty's engagement with German idealism extends well beyond the interrogation of Hegel or Kant." -- Devin Zane Shaw, author of
Freedom and Nature in Schelling's Philosophy of Art