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Inhaltsangabe
What does it mean to perform expressively on the cello? In Cello Practice, Cello Performance, professor Miranda Wilson teaches that effectiveness on the concert stage or in an audition reflects the intensity, efficiency, and organization of your practice. Far from being a mysterious gift randomly bestowed on a lucky few, successful cello performance is, in fact, a learnable skill that any player can master.
Most other instructional works for cellists address techniques for each hand individually, as if their movements were independent. In Cello Practice, Cello Performance, Wilson demonstrates that the movements of the hands are vitally interdependent, supporting and empowering one another in any technical action. Original exercises in the fundamentals of cello playing include cross-lateral exercises, mindful breathing, and one of the most detailed discussions of intonation in the cello literature. Wilson translates this practice-room success to the concert hall through chapters on performance-focused practice, performance anxiety, and common interpretive challenges of cello playing.
This book is a resource for all advanced cellists-college-bound high school students, undergraduate and graduate students, educators, and professional performers-and teaches them how to be their own best teachers.
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Über die Autorin bzw. den Autor
The New Zealand-born cellist and writer Miranda Wilson has performed on five continents and made several broadcast and compact disc recordings. She is a professor of cello at the University of Idaho.
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Cello Practice, Cello Performance
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Rowman and Littlefield Publishers, 2015
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ISBN 13: 9781442246768
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Hardcover. Zustand: new. Hardcover. What does it mean to perform expressively on the cello? In Cello Practice, Cello Performance, professor Miranda Wilson teaches that effectiveness on the concert stage or in an audition reflects the intensity, efficiency, and organization of your practice. Far from being a mysterious gift randomly bestowed on a lucky few, successful cello performance is, in fact, a learnable skill that any player can master. Most other instructional works for cellists address techniques for each hand individually, as if their movements were independent. In Cello Practice, Cello Performance, Wilson demonstrates that the movements of the hands are vitally interdependent, supporting and empowering one another in any technical action. Original exercises in the fundamentals of cello playing include cross-lateral exercises, mindful breathing, and one of the most detailed discussions of intonation in the cello literature. Wilson translates this practice-room success to the concert hall through chapters on performance-focused practice, performance anxiety, and common interpretive challenges of cello playing. This book is a resource for all advanced cellistscollege-bound high school students, undergraduate and graduate students, educators, and professional performersand teaches them how to be their own best teachers. Most other works that instruct cellists in the art of playing their instrument come in two predictable formsemphasizing either the left hand or the right hand or instructing string players in the use of both but separately. Wilson argues that the movements of the hands are vitally interdependent, supporting one another in any technical action. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781442246768
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Cello Practice, Cello Performance
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Rowman & Littlefield Publishers, 2015
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ISBN 13: 9781442246768
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Bloomsbury Publishing Plc, Lanham, MD, 2015
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ISBN 13: 9781442246768
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Hardcover. Zustand: new. Hardcover. What does it mean to perform expressively on the cello? In Cello Practice, Cello Performance, professor Miranda Wilson teaches that effectiveness on the concert stage or in an audition reflects the intensity, efficiency, and organization of your practice. Far from being a mysterious gift randomly bestowed on a lucky few, successful cello performance is, in fact, a learnable skill that any player can master. Most other instructional works for cellists address techniques for each hand individually, as if their movements were independent. In Cello Practice, Cello Performance, Wilson demonstrates that the movements of the hands are vitally interdependent, supporting and empowering one another in any technical action. Original exercises in the fundamentals of cello playing include cross-lateral exercises, mindful breathing, and one of the most detailed discussions of intonation in the cello literature. Wilson translates this practice-room success to the concert hall through chapters on performance-focused practice, performance anxiety, and common interpretive challenges of cello playing. This book is a resource for all advanced cellistscollege-bound high school students, undergraduate and graduate students, educators, and professional performersand teaches them how to be their own best teachers. Most other works that instruct cellists in the art of playing their instrument come in two predictable formsemphasizing either the left hand or the right hand or instructing string players in the use of both but separately. Wilson argues that the movements of the hands are vitally interdependent, supporting one another in any technical action. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9781442246768
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Zustand: New. Most other works that instruct cellists in the art of playing their instrument come in two predictable forms-emphasizing either the left hand or the right hand or instructing string players in the use of both but separately. Wilson argues that the movements of the hands are vitally interdependent, supporting one another in any technical action. Num Pages: 154 pages, 163 black & white illustrations, 2 tables. BIC Classification: AVRL; AVS. Category: (P) Professional & Vocational. Dimension: 223 x 287 x 16. Weight in Grams: 674. . 2015. Hardback. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9781442246768
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Zustand: New. Most other works that instruct cellists in the art of playing their instrument come in two predictable forms-emphasizing either the left hand or the right hand or instructing string players in the use of both but separately. Wilson argues that the movements of the hands are vitally interdependent, supporting one another in any technical action. Num Pages: 154 pages, 163 black & white illustrations, 2 tables. BIC Classification: AVRL; AVS. Category: (P) Professional & Vocational. Dimension: 223 x 287 x 16. Weight in Grams: 674. . 2015. Hardback. . . . . Bestandsnummer des Verkäufers V9781442246768
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