"Old Violins" deals with the history of the violin, exploring notable makers, platers, developments, events, and much more. Concentrating on Europe, it primarily looks at the Cremona And Brescia, and those who made and played them in England, France, and Germany. This volume is highly recommended for those with an interest in the violin and it's clourfu history. Contents include: "Violin Genesis", "Violin Constitution", "Violins at Brescia", "Violins at Cremona", "Violins in Germany", "Violins in France", "Violins in England", "Violin Varnish", "Violin Springs", "Violin Bows", "Violin Tarisio", "Violins at Mirecourt, Mittenwald, and Markeukirchen", "Violin Treatment", etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on the history of the violin.
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Mary Eliza Haweis, née Joy (1848-1898), was the daughter of the painter Thomas Musgrave Joy, and an artist in her own right, who first won fame with her exhibition at the Royal Academy under her maiden name Miss M. E. Joy. Her literary career started after she married Hugh Reginald Haweis, and after illustrating his books, started writing her own using the name "Mrs. H. R. Haweis." Chaucer for Children was her very first book, and catapulted her to instant fame. She followed this up with several other works centered around art, fashion, history, and literature, including The Art of Beauty (1878), The Art of Dress (1879), The Art of Decoration (1881), and The Art of Housekeeping (1889). From 1880 she wrote essays on artistic houses, first published in the magazine The Queen. Apart from her literary work, she is also remembered for her successful campaign to have museums opened on Sundays-revolutionary at the time, but now standard practice around the globe.
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