THE ULTIMATE BOOK ON HARNESSING THE POWER OF AVID MEDIA COMPOSER. Filled with hundreds of techniques and profusely illustrated in color, it will help you discover new ways to use the system and do things you didn’t know were possible. Written by one of the pioneers of the digital editing revolution, this second edition focuses on Media Composer 5.5.
SUBJECTS COVERED INCLUDE:
Interface Fundamentals; Advanced Editing & Trimming; The Smart Tool; Find & PhraseFind; Visual Effects & Advanced Keyframes; Color Correction; Titles; Mixing, RTAS & Stereo Audio; Multi-camera Editing; Toolsets & Workspaces; AMA & Media Management; Film & 24p Video; and much more.
REVIEWS:
EDITIONS:
This second edition offers detailed coverage of Media Composer 5.5. You’ll find even more information, with a focus on Media Composer 6, in Avid Agility, Third Edition.
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Steven Cohen has worked with both Montage and Avid, helping them create user interfaces for professional editing. He edited "Lost in Yonkers," the first studio feature to use Media Composer, and "Teamster Boss," one of the first Avid television movies. He subsequently demonstrated the system to the technical wing of the Motion Picture Academy, which led to Avid's Academy Award. His credits include "Before the Rains," "Material Girls," "The Prince and Me," "15 Minutes," "Blood and Wine," "Three Wishes," "Angie," "Rambling Rose" and "No Man's Land," as well as many pilots and TV movies, including several in the Jesse Stone series. He received an Emmy for "LBJ: The Early Years," an American Cinema Editors Eddie for "Don King: Only in America," and A.C.E.'s distinguished Robert Wise Award for writing about editing. He taught editing at the American Film Institute for nine years and was the first chairman of the editing department there. He also helped create, and was the first publisher of, the Editors Guild Magazine. He recently cofounded the Avid Editors Advisory Committee, a group of prominent editors that advises Avid about software features. He blogs at splicenow.com.
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