Reading, Performing, and Imagining the Libro del Arcipreste examines how reading, writing, and interpretation reside at the core of the cultural history of the Castilian Libro del Arcipreste (often called the Libro de buen amor) from the moment of its creation in the first part of the fourteenth century. The study comprises three sections. In the first, the author situates the Libro within the tradition of Augustinian hermeneutics and exegetics, relating the work to the schools at Toledo and Salamanca. The detailed argument makes notable connections between contemporary reception theory and medieval reading and scholarly practices. The second part develops hypotheses concerning the performative cues in the Libro, emphasizing the audible/visible aspect of medieval reading and performance. Here Gerli focuses on the orthodoxy of the Libro, revealing how by presenting heretical content in accordance with Augustinian/ethical reading strategies, the work advances the novel and convincing hypothesis that the Libro provides its audience an opportunity to recognize heterodoxy rather than espouse it. The final section deals with the rewriting and reimagining of the Libro on into modernity. Significantly, Gerli demonstrates the manner in which the work served as a poetic manifesto for fifteenth-century cancionero poets, especially in relation to the Cancioneros de Baena, Estuniga, and Palacio, and how it formed part of the horizon of expectations of courtly audiences. The last chapter of this section presents a troubling case study of the modern American reception of the book and the figure of its putative author, Juan Ruiz, as it tells a gripping tale about a Libro scholar and translator of the work, Elisha Kent Kane. But it is not just a great storyit is a profound onethat constitutes another ethical parable of interpretation generated by the Libro itself and raises two abiding questions: Was the great scholar in question an innocent and mischievous wita carefree bon vivantor was he a philandering, callous murderer?
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E. Michael Gerli is Commonwealth Professor of Hispanic Studies at the University of Virginia.
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Soft cover. Zustand: Very Good. Contents: Cover; TABLE OF CONTENTS; PREFACE; INTRODUCTION: Reception and Performance: Medieval and Postmodern; I. STRATEGIES FOR READING THE LIBRO DEL ARCIPRESTE; CHAPTER 1: Fallen Language and Tempting Texts; CHAPTER 2: Lex intima in corde conscripta and the Ways of Understanding; II. PERFORMING THE LIBRO DEL ARCIPRESTE; CHAPTER 3: Signs of Performance: Mime, Gesture, Noise, and Silence in the Libro; CHAPTER 4: Reading Error, Finding Fault: on the Uses of Heresy in the Libro del Arcipreste; CHAPTER 5: Quid est? Quis est enim? "Juan Ruiz" as "Ovid"; III. REWRITING AND IMAGINING THE LIBRO DEL ARCIPRESTE. CHAPTER 6: The Libro in the CancionerosCHAPTER 7: Envisioning the Libro del Arcipreste in the Cancionero de Palacio; CHAPTER 8: Mischief, Mayhem, and Uxoricide: Elisha Kent Kane and the Libro del Arcipreste; CONCLUSION; BIBLIOGRAPHY; INDEX; Bestandsnummer des Verkäufers 2soas4to902
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Paperback. Zustand: new. Paperback. Reading, Performing, and Imagining the Libro del Arcipreste, examines how reading, writing, and interpretation reside at the core of the cultural history of the Castilian Libro del Arcipreste (often called the Libro de buen amor) from the moment of its creation in the first part of the fourteenth century. The study comprises three sections. In the first, the author situates the Libro within the tradition of Augustinian hermeneutics and exegetics, relating the work to the schools at Toledo and Salamanca. The second part develops hypotheses concerning the performative cues in the Libro, emphasizing the audible/visible aspect of medieval reading and performance. The final section deals with the rewriting and reimagining of the Libro on into modernity. The last chapter of this section presents a troubling case study of the modern American reception of the book and the figure of its putative author, Juan Ruiz. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781469630618
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Zustand: New. Series: North Carolina Studies in the Romance Languages and Literatures. Num Pages: 288 pages. BIC Classification: 1DSE; DSBB. Category: (G) General (US: Trade). Dimension: 229 x 152 x 21. Weight in Grams: 499. . 2016. Paperback. . . . . Bestandsnummer des Verkäufers V9781469630618
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Zustand: New. Series: North Carolina Studies in the Romance Languages and Literatures. Num Pages: 288 pages. BIC Classification: 1DSE; DSBB. Category: (G) General (US: Trade). Dimension: 229 x 152 x 21. Weight in Grams: 499. . 2016. Paperback. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9781469630618
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Zustand: New. KlappentextExamines how reading, writing, and interpretation reside at the core of the cultural history of the Castilian Libro del Arcipreste from its creation in the first part of the fourteenth century. The study situates the Libro wit. Bestandsnummer des Verkäufers 595972936
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Taschenbuch. Zustand: Neu. Neuware - Examines how reading, writing, and interpretation reside at the core of the cultural history of the Castilian Libro del Arcipreste from its creation in the first part of the fourteenth century. The study situates the Libro within the tradition of Augustinian hermeneutics and exegetics; develops hypotheses concerning the performative cues in the Libro; and deals with the rewriting and reimagining of the Libro on into modernity. Bestandsnummer des Verkäufers 9781469630618
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