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Alle Exemplare der Ausgabe mit dieser ISBN anzeigen:'Disability and Art History makes a definitive claim for the importance of disability in art. Moving seamlessly from the past to the present, and indicating an influential through line between the two, the collection of essays shows not only how important disability is to art works, but how disability becomes a fascinating focus for artists of all kinds. The book particularly illustrates how transgressive disability art can be and how different bodies and minds redefine what we think about when we think about visual art.' - Lennard. J. Davis, University of Illinois, USA
'This original book offers fresh insights as it examines art history's blindness to the burgeoning scholarship in disability studies. Rather than mock the discipline's impairments or seek a cure, the diverse essays think deeply about their social and cultural significance across an intriguing range of historical periods and places.' - Jane Blocker, University of Minnesota, USA
'Millett-Gallant & Howie’s Disability and Art History provides scholarly examples of how representations of disability reoccur and are recycled in visual culture. From photography to cinema, from Meso-American pottery figures to German Expressionism, from the disabled as artist to the artistic rediscovery of older representations of the disabled, this first-rate collection provides much for the Disability Studies classroom and will add substantially to a rethinking of Art History to introduce the student to the world of visual representations of disability.' - Sander L. Gilman, Emory University, USA
This is the first book of its kind to feature interdisciplinary art history and disability studies scholarship. Art historians have traditionally written about images of figures with impairments and artworks by disabled artists, without integrating disability studies scholarship, while many disability studies scholars discuss works of art, but do not necessarily incorporate art historical research and methodology. The chapters in this volume emphasize a shift away from the medical model of disability that is often scrutinized in art history by considering the social model and representations of disabled figures from a range of styles and periods, mostly from the twentieth century. Topics addressed include visible versus invisible impairments; scientific, anthropological, and vernacular images of disability; and the theories and implications of looking/staring versus gazing. They also explore ways in which art responds to, envisions, and at times stereotypes and pathologizes disability. The insights offered in this book contextualize understanding of disability historically, as well as in terms of medicine, literature, and visual culture.
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Buchbeschreibung Hardcover. Zustand: New. Bestandsnummer des Verkäufers 6666-TNFPD-9781472453525
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Buchbeschreibung Zustand: New. pp. 218. Bestandsnummer des Verkäufers 26375158332
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Buchbeschreibung Zustand: New. pp. 218. Bestandsnummer des Verkäufers 371968483
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Buchbeschreibung Gebunden. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Ann Millett-Gallant is a Senior Lecturer for the Bachelor of Arts in Liberal Studies Program at the University of North Carolina at Greensboro. She holds a PhD in art history at the University of North Carolina at Chapel Hill, and her re. Bestandsnummer des Verkäufers 595985922
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Buchbeschreibung Hardcover. Zustand: Brand New. 200 pages. 9.25x6.25x0.75 inches. In Stock. Bestandsnummer des Verkäufers __1472453522
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Buchbeschreibung Hardback. Zustand: New. New copy - Usually dispatched within 4 working days. Bestandsnummer des Verkäufers B9781472453525
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