This collection of essays considers artistic works that deal with the body without a visual representation. It explores a range of ways to represent this absence of the figure: from abject elements such as bodily fluids and waste to surrogate forms including reliquaries, manuscripts, and cloth. The collection focuses on two eras, medieval and modern, when images referencing the absent body have been far more prolific in the history of art. In medieval times, works of art became direct references to the absent corporal essence of a divine being, like Christ, or were used as devotional aids. By contrast, in the modern era artists often reject depictions of the physical body in order to distance themselves from the history of the idealized human form. Through these essays, it becomes apparent, even when the body is not visible in a work of art, it is often still present tangentially. Though the essays in this volume bridge two historical periods, they have coherent thematic links dealing with abjection, embodiment, and phenomenology. Whether figurative or abstract, sacred or secular, medieval or modern, the body maintains a presence in these works even when it is not at first apparent.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Emily Kelley is Associate Professor of Art History at Saginaw Valley State University. Her research examines mercantile patronage in late medieval Spain. She has published in the Journal of Medieval Iberian Studies and the Hispanic Research Journal. She is co-editor of Mendicants and Merchants in the Medieval Mediterranean (Brill, 2013).
Elizabeth Richards Rivenbark
is Associate Professor of Art History at the University of South Alabama. She has published essays on American art in the nineteenth through twenty-first centuries with special interests in gender studies, war imagery, and the body. Her essays appear in Artibus et Historiae, the Women’s Art Journal, and The SECAC Review.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Chiron Media, Wallingford, Vereinigtes Königreich
Hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Bestandsnummer des Verkäufers 6666-TNFPD-9781472459367
Anzahl: 5 verfügbar
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New. Bestandsnummer des Verkäufers 26303459-n
Anzahl: 10 verfügbar
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
Zustand: New. Bestandsnummer des Verkäufers 26303459-n
Anzahl: 10 verfügbar
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition. Bestandsnummer des Verkäufers 26303459
Anzahl: 10 verfügbar
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
Zustand: New. Bestandsnummer des Verkäufers 389424154
Anzahl: 3 verfügbar
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
Zustand: As New. Unread book in perfect condition. Bestandsnummer des Verkäufers 26303459
Anzahl: 10 verfügbar
Anbieter: Books Puddle, Woodside, NY, USA
Zustand: New. 1st edition NO-PA16APR2015-KAP. Bestandsnummer des Verkäufers 26390175685
Anzahl: 3 verfügbar
Anbieter: moluna, Greven, Deutschland
Zustand: New. Emily Kelley is Associate Professor of Art History at Saginaw Valley State University. Her research examines mercantile patronage in late medieval Spain. She has published in the Journal of Medieval Iberian Studies and the Hisp. Bestandsnummer des Verkäufers 595986135
Anzahl: Mehr als 20 verfügbar
Anbieter: Biblios, Frankfurt am main, HESSE, Deutschland
Zustand: New. Bestandsnummer des Verkäufers 18390175695
Anzahl: 3 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware. Bestandsnummer des Verkäufers 9781472459367
Anzahl: 2 verfügbar