A much-needed anthology of writings about the process of documenting performance and other aspects of performance documentation management written by archivists, artists, curators, scholars, and digital preservation specialists.
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Toni Sant is Director of Research at the University of Hull's School of Arts and New Media, Scarborough, UK, where he also leads the Media and Memory Research Initiative. He coordinates education activities for Wikimedia UK and is the author of Franklin Furnace & the Spirit of the Avant Garde: A History of the Future (2011).
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paperback. Zustand: Very Good. Documenting Performance: The Context and Processes of Digital Curation and Archiving This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. Bestandsnummer des Verkäufers 7719-9781472588173
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Paperback. Zustand: new. Paperback. Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance.Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on:* the contemporary context for documenting performance* processes of documenting performance* documenting bodies in motion* documenting to createIn each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance. While theorists have argued that performance becomes something else whenever it is documented, the writings reveal how the documents themselves cannot be regarded simply as incomplete remains from live events. The methods for preserving and managing them over time, ensuring easy access of such materials in systematic archives and collections, requires professional attention in its own right. Through the process of documenting performance, artists acquire a different perspective on their own work, audiences can recall specific images and sounds for works they have witnessed in person, and others who did not see the original work can trace the memories of particular events, or use them to gain an understanding of something that would otherwise remain unknown to them and their peers. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781472588173
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