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Contemporary Musical Film (Music and the Moving Image) - Hardcover

Buch 4 von 10: Music and the Moving Image
 
9781474413121: Contemporary Musical Film (Music and the Moving Image)
Hardcover
ISBN 10: 1474413129 ISBN 13: 9781474413121
Verlag: Edinburgh University Press, 2017

Inhaltsangabe

A reassessment of the film musical post 2000

Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.

Über die Autorinnen und Autoren

Professor Kevin Donnelly is Professor of Film and Film Music at the University of Southampton. He has written or edited 12 books, including Occult Aesthetics: Sound and Image Synchronization (Oxford University Press, 2013; which received an award from the American Musicological Society), The Spectre of Sound (BFI, 2005, second edition 2020), Magical Musical Tour: Pop and Rock in Film Soundtracks (Bloomsbury, 2015; which received an award from the Southwest Popular and American Cultural Association), Pop Music in British Cinema (BFI, 2001), British Film Music and Film Musicals (Palgrave, 2007) and The Shining (Columbia University Press, 2018). He is co-series editor of EUP’s Music and the Moving Image series, and co-edited Contemporary Musical Film for the series (EUP, 2019)

Dr Beth Carroll is a Lecturer in Film at the University of Southampton. She is the author of Feeling Film: A Spatial Approach (2016) and co-editor of Contemporary Musical Film (EUP).



Beth Carroll, PhD, lectures in Film and Literature at the University of Southampton.

K. J. Donnelly is a Reader in Film Studies at the University of Southampton.

Von der hinteren Coverseite

Contemporary Musical FilmEdited by K.J. Donnelly and Beth CarrollSince the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have reinvigorated the popularity of the screen musical. This edited collection, bringing together a number of international scholars, looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino’s Kill Bill (2003/04). Looking at the varying aesthetic function of soundtrack and lyric in films like Disney’s wildly popular Frozen (2013) and the Fast and the Furious franchise, or the self-reflexive commentary of the ‘post-millennial rock musical’, this wide-ranging collection breaks new ground in its study of this multifaceted genre.Beth Carroll is a Lecturer in Film at the University of SouthamptonK. J. Donnelly is a Reader in Film Studies at the University of Southampton

Aus dem Klappentext

Contemporary Musical FilmEdited by K.J. Donnelly and Beth CarrollSince the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have reinvigorated the popularity of the screen musical. This edited collection, bringing together a number of international scholars, looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino s Kill Bill (2003/04). Looking at the varying aesthetic function of soundtrack and lyric in films like Disney s wildly popular Frozen (2013) and the Fast and the Furious franchise, or the self-reflexive commentary of the post-millennial rock musical , this wide-ranging collection breaks new ground in its study of this multifaceted genre.Beth Carroll is a Lecturer in Film at the University of SouthamptonK. J. Donnelly is a Reader in Film Studies at the University of Southampton

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Verlag
Edinburgh University Press
Erscheinungsdatum
2017
Sprache
Englisch
ISBN 10 
1474413129
ISBN 13 
9781474413121
Einband
Gebundene Ausgabe
Anzahl der Seiten
192
Herausgeber
Donnelly K. J., Carroll Beth
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
Buchpark GmbH
gpsr@buchpark.de

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