Examines the emergence of gay male and female heterosexual alliances within contemporary media
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Christopher Pullen is Senior Lecturer in Media Theory at Bournemouth University, UK. His research interests relate to the representation of minority identity in the media, with a particular focus on sexual diversity, AIDS, youth and school education. His recent books include: Gay Identity, New Storytelling and the Media (2012), Queer Youth and Media Cultures (2014), and Queer Love in Television and Film (2013) (co-edited with Pamela Demory).
Christopher Pullen is Senior Lecturer in Media Theory at Bournemouth University, UK. His research interests relate to the representation of minority identity in the media, with a particular focus on sexual diversity, AIDS, youth and school education. His recent books include: Gay Identity, New Storytelling and the Media (2012), Queer Youth and Media Cultures (2014), and Queer Love in Television and Film (2013) (co-edited with Pamela Demory).
‘Friendships between straight girls and queer guys have a rich, complex place in popular culture that is rarely given sustained scholarly attention. In this sharp, original, and wide-ranging book, Christopher Pullen shows us how representations of this “unlikely coupling” work - and how they matter.’Joshua Gamson, University of San FranciscoExploring the archetypal representation of the straight girl with the queer guy in film and television culture from 1948 to the present day, Straight Girls and Queer Guys considers the process of the ‘hetero media gaze’ and the way it contextualises sexual diversity and gender identity. Offering both a historical foundation and a rigorous conceptual framework, Christopher Pullen draws on a range of case studies, including the films of Doris Day and Rock Hudson, the performances of Kenneth Williams, television shows such as Glee, Sex and the City and Will and Grace, the work of Derek Jarman, and the role of the gay best friend in Hollywood film. Critiquing the representation of the straight girl and the queer guy for its relation to both power and otherness, this is a provocative study that frames a theoretical model which can be applied across diverse media forms.Christopher Pullen is Senior Lecturer in Media Theory at the Faculty of Media and Communications, Bournemouth University.Cover image: Publicity Photo from The North Star, 1943, Dir. Lewis Milestone © The Samuel Goldwyn Company/reproduced in Movie Story magazine 1943Cover design: Richard Budd[EUP logo]www.euppublishing.com
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Paperback. Zustand: new. Paperback. Exploring the archetypal representation of the straight girl with the queer guy in film and television culture from 1948 to the present day, Straight Girls and Queer Guys considers the process of the hetero media gaze and the way it contextualizes sexual diversity and gender identity. Offering both an historical foundation and a rigorous conceptual framework, Christopher Pullen draws on a range of case studies, including the films of Doris Day and Rock Hudson, the performances of Kenneth Williams, televisions shows such as Glee, Sex and the City and Will and Grace, the work of Derek Jarman, and the role of the gay best friend in Hollywood film. Critiquing the representation of the straight girl and the queer guy for its relation to both power and otherness, this is a provocative study that frames a theoretical model which can be applied across diverse media forms. Examines the emergence of gay male and female heterosexual alliances within contemporary media. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781474425865
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Paperback. Zustand: New. Exploring the archetypal representation of the straight girl with the queer guy in film and television culture from 1948 to the present day, Straight Girls and Queer Guys considers the process of the 'hetero media gaze' and the way it contextualizes sexual diversity and gender identity. Offering both an historical foundation and a rigorous conceptual framework, Christopher Pullen draws on a range of case studies, including the films of Doris Day and Rock Hudson, the performances of Kenneth Williams, televisions shows such as Glee, Sex and the City and Will and Grace, the work of Derek Jarman, and the role of the gay best friend in Hollywood film. Critiquing the representation of the straight girl and the queer guy for its relation to both power and otherness, this is a provocative study that frames a theoretical model which can be applied across diverse media forms. Bestandsnummer des Verkäufers LU-9781474425865
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Paperback. Zustand: New. Exploring the archetypal representation of the straight girl with the queer guy in film and television culture from 1948 to the present day, Straight Girls and Queer Guys considers the process of the 'hetero media gaze' and the way it contextualizes sexual diversity and gender identity. Offering both an historical foundation and a rigorous conceptual framework, Christopher Pullen draws on a range of case studies, including the films of Doris Day and Rock Hudson, the performances of Kenneth Williams, televisions shows such as Glee, Sex and the City and Will and Grace, the work of Derek Jarman, and the role of the gay best friend in Hollywood film. Critiquing the representation of the straight girl and the queer guy for its relation to both power and otherness, this is a provocative study that frames a theoretical model which can be applied across diverse media forms. Bestandsnummer des Verkäufers LU-9781474425865
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