Lyric Cousins: Poetry and Musical Form - Softcover

Sampson, Fiona

 
9781474432627: Lyric Cousins: Poetry and Musical Form
Softcover
ISBN 10: 147443262X ISBN 13: 9781474432627
Verlag: Edinburgh University Press, 2018

Inhaltsangabe

Leading poet, critic and former musician explores the 'deep forms' common to both poetry and music

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Über die Autorin bzw. den Autor

Fiona Sampson is Professor of Poetry and Director of Roehampton Poetry Centre, at the University of Roehampton. She is currently the Editor of the journal Poem and from 2005-2012 she was the Editor of Poetry Review. She is a prize-winning poet and former professional musician whose works have been published in more than thirty languages. A Fellow and Council Member of the Royal Society of Literature, Fellow of the Royal Society of Arts, Fellow of the English Association and Trustee of the Wordsworth Trust, her publications include 24 volumes of poetry, criticism and philosophy of language. She has 12 books in translation, and has received the Zlaten Prsten (Macedonia) and the Charles Angoff Award (US), and been shortlisted for the Evelyn Encelot Prize for European Women Poets. She has received the Newdigate Prize, a Cholmondeley award, a Hawthornden fellowship, Kathleen Blundell and Oppenheimer-John Downes Awards from the Society of Authors, Writer’s Awards from the Arts Councils of England and Wales and various Poetry Book Society commendations, and has been shortlisted twice for both the T.S. Eliot Prize and Forward prizes. Recent books include a new edition of Percy Bysshe Shelley for Faber (PBS Book-club Choice) and a poetry collection, Coleshill (Chatto, PBS Recommendation). The US edition of her selected poems appeared from Sheep Meadow Press in 2013.

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‘Described by its author as a “thought experiment”, it is evident within a few pages that this book is so much more. Drawing on her rare combination of insights as a poet, critic and musician, as well as her background in health-care, Fiona Sampson has produced a remarkable new work of aesthetics. As creatively inventive as it is critically astute, the connections and insights of this book will be essential reading for anyone concerned with poetry or music, or more broadly with the place and reception of the arts in society.’Michael Symmons, Professor of Poetry, Manchester Metropolitan UniversityLeading poet, critic and former musician explores the 'deep forms' common to both poetry and musicToday, poetry and art music occupy similar cultural positions: each has a tendency to be regarded as problematic, ‘difficult’ and therefore ‘elitist’. Despite this, the audiences and numbers of participants for each are substantial: yet they tend not to overlap. This is odd, because the forms share early history in song and saga, and exhibit some striking similarities, often summed up in the word ’lyric’.These similarities include much that is most significant to the experience of each, and so of greatest interest to both practitioners and audiences. They include: the way each art form is aural; a shared reliance on temporal, rather than spatial, forms; engagement with sensory experience and pleasure; an availability for both shared public performance and private reading, sight-reading and hearing in memory; and scope for non-denotative meaning. In other words, looking at these elements in music is a way to look at them in poetry, and vice versa.Fiona Sampson studied violin at the Salzburg Mozarteum, Menuhin Academy Gstaad and Royal Academy of Music, where she won the John Waterhouse year prize. Now Professor of Poetry at the University of Roehampton, she has worked as an editor, translator and critic of poetry; her own poetry is widely translated and has received a number of national and international awards.Cover image: Gabrielle d'Estrées and one of her sisters, unknown artist, c.1594, public domain work courtesy of Wikimedia CommonsCover design:[EUP logo]edinburghuniversitypress.comISBN 978-1-4744-0292-7Barcode

Aus dem Klappentext

Described by its author as a thought experiment , it is evident within a few pages that this book is so much more. Drawing on her rare combination of insights as a poet, critic and musician, as well as her background in health-care, Fiona Sampson has produced a remarkable new work of aesthetics. As creatively inventive as it is critically astute, the connections and insights of this book will be essential reading for anyone concerned with poetry or music, or more broadly with the place and reception of the arts in society. Michael Symmons, Professor of Poetry, Manchester Metropolitan UniversityLeading poet, critic and former musician explores the 'deep forms' common to both poetry and musicToday, poetry and art music occupy similar cultural positions: each has a tendency to be regarded as problematic, difficult and therefore elitist . Despite this, the audiences and numbers of participants for each are substantial: yet they tend not to overlap. This is odd, because the forms share early history in song and saga, and exhibit some striking similarities, often summed up in the word lyric .These similarities include much that is most significant to the experience of each, and so of greatest interest to both practitioners and audiences. They include: the way each art form is aural; a shared reliance on temporal, rather than spatial, forms; engagement with sensory experience and pleasure; an availability for both shared public performance and private reading, sight-reading and hearing in memory; and scope for non-denotative meaning. In other words, looking at these elements in music is a way to look at them in poetry, and vice versa.Fiona Sampson studied violin at the Salzburg Mozarteum, Menuhin Academy Gstaad and Royal Academy of Music, where she won the John Waterhouse year prize. Now Professor of Poetry at the University of Roehampton, she has worked as an editor, translator and critic of poetry; her own poetry is widely translated and has received a number of national and international awards.Cover image: Gabrielle d'Estrées and one of her sisters, unknown artist, c.1594, public domain work courtesy of Wikimedia CommonsCover design:[EUP logo]edinburghuniversitypress.comISBN 978-1-4744-0292-7Barcode

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Verlag
Edinburgh University Press
Erscheinungsdatum
2018
Sprache
Englisch
ISBN 10 
147443262X
ISBN 13 
9781474432627
Einband
Tapa blanda
Anzahl der Seiten
240
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
Nicht verfügbar

Weitere beliebte Ausgaben desselben Titels

9781474402927: Lyric Cousins: Poetry and Musical Form

Vorgestellte Ausgabe

ISBN 10:  1474402925 ISBN 13:  9781474402927
Verlag: Edinburgh University Press, 2016
Hardcover