This book provides a fresh look at American horror remakes produced in the years since 2000, and represents a significant academic intervention into an understanding of the remaking trend. Offering an alternative take to the critical and scholarly dismissal of genre remakes as derivative copies, Reanimated instead approaches the films as intertextual adaptations which have both drawn from and helped to shape the genre in the 21st Century. Including detailed analysis of films from The Texas Chainsaw Massacre to IT, and identifying distinct cycles, production strategies and patterns of reception, this study illustrates the importance of the remake to contemporary horror cinema. Rather than representing the death of horror, remaking instead demonstrates the genre’s remarkable capacity to reanimate.
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Dr Laura Mee is a Senior Lecturer in Film and Television at the University of Hertfordshire. She is the author of The Shining (Devil’s Advocates) (2017).
Reanimated offers a new perspective on twenty-first century American horror film remakes. Counter to the critical dismissal of genre remakes as derivative rip-offs, Mee approaches the films as intertextual adaptations which have both drawn from and helped to shape horror since 2000.Covering films from The Texas Chainsaw Massacre (2003) to Candyman (2021), and identifying distinct cycles, production strategies and patterns of reception, this book illustrates the importance of the remake to contemporary horror cinema and addresses key cultural, industry and reception contexts. Rather than representing the death of horror, Reanimated argues that remaking instead demonstrates the genre’s capacity for creative recycling, adaptation and evolution.Dr Laura Mee is a Senior Lecturer in Film and Television at the University of Hertfordshire. She is the author of The Shining (Devil’s Advocates) (2017).
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Hardcover. Zustand: new. Hardcover. This book provides a fresh look at American horror remakes produced in the years since 2000, and represents a significant academic intervention into an understanding of the remaking trend. Offering an alternative take to the critical and scholarly dismissal of genre remakes as derivative copies, Reanimated instead approaches the films as intertextual adaptations which have both drawn from and helped to shape the genre in the 21st Century. Including detailed analysis of films from The Texas Chainsaw Massacre to IT, and identifying distinct cycles, production strategies and patterns of reception, this study illustrates the importance of the remake to contemporary horror cinema. Rather than representing the death of horror, remaking instead demonstrates the genres remarkable capacity to reanimate. Explores American horror remakes produced since 2000 within key cultural, industry and reception contexts Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781474440646
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Hardback. Zustand: New. Reanimated offers a new perspective on twenty-first century American horror film remakes. Counter to the critical dismissal of genre remakes as derivative rip-offs, Mee approaches the films as intertextual adaptations which have both drawn from and helped to shape horror since 2000. Covering films from The Texas Chainsaw Massacre (2003) to Candyman (2021), and identifying distinct cycles, production strategies and patterns of reception, this book illustrates the importance of the remake to contemporary horror cinema and addresses key cultural, industry and reception contexts. Rather than representing the death of horror, Reanimated argues that remaking instead demonstrates the genre's capacity for creative recycling, adaptation and evolution. Bestandsnummer des Verkäufers LU-9781474440646
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